Detective Mark McPherson investigates the killing of Laura, found dead on her apartment floor before the movie starts. McPherson builds a mental picture of the dead girl from the suspects whom he interviews. He is helped by the striking painting of the late lamented Laura hanging on her apartment wall. But who would have wanted to kill a girl with whom every man she met seemed to fall in love? To make matters worse, McPherson finds himself falling under her spell too. Then one night, halfway through his investigations, something seriously bizarre happens to make him re-think the whole case. —IMDb
Otto Ludwig Preminger (December 5, 1905 – April 23, 1986) was an Austrian-born Jewish American film director who moved from the theatre to Hollywood, directing over 35 feature films in a five-decade career. He rose to prominence for stylish film noir mysteries such as Laura (1944) and Fallen Angel (1945). In the 1950s and 1960s, he directed a number of high-profile adaptations of popular novels and stage works. Several of these pushed the boundaries of censorship by dealing with topics which were then taboo in Hollywood, such as drug addiction (The Man with the Golden Arm, 1955), rape (Anatomy of a Murder, 1959), and homosexuality (Advise and Consent, 1962). He was twice nominated for the Best Director Academy Award. He also had a few acting roles.
Preminger was born in Wiznitz, a town west of Czernowitz, Northern Bukovyna, in today’s Ukraine, then part of the Austro-Hungarian Empire, to Markus and Josefa Preminger. Preminger’s father was born in 1877 in Galicia, at a time when… read more
Apasionante filme sobre la obsesión amorosa entre un grupo de hombres (uno de inclinación gay, uno que anda de anonimato porque nunca aparece y un gigoló) hacia una mujer. Existe un cuarto, el detective, uno que ciertamente no se enamoró de ella sino de la "representación" de ella. Un retrato y un crimen fatal como entrada a una obsesión psicosexual (¿necrofilia?). En la mitad del filme, es casi un juego surrealista.
Also: Ross Douthat, film critic. Woody Allen on Broadway. Whit Stillman at Harvard. And Orson Welles performs Shakespeare on the radio.
Otto Preminger suddenly became the director of Laura as a result of his infamous unwillingness to compromise, a move that would catapult his career as a directorial crusader against Hays Code… read review