Master thief Corey (Alain Delon) is fresh out of prison. But instead of toeing the line of law-abiding freedom, he finds his steps leading back to the shadowy world of crime, crossing those of a notorious escapee (Gian Maria Volonté) and alcoholic ex-cop (Yves Montand). As the unlikely trio plots a heist against impossible odds, their trail is pursued by a relentless inspector (Bourvil), and fate seals their destinies. Jean-Pierre Melville’s Le cercle rouge combines honorable anti-heroes, coolly atmospheric cinematography, and breathtaking set pieces to create a masterpiece of crime cinema. —The Criterion Collection
Jean-Pierre Melville (born Jean-Pierre Grumbach) was an amateur filmmaker as a teenager who, after the start of World War II, began making his own independent short and feature films. He hit his stride in the ‘50s with his memorable adaptation of Jean Cocteau’s novel, Les Enfants Terribles, and, over the next 20 years, specialized in intelligent and exciting crime films, most notably Bob le Flambeur, Le Doulos (aka The Finger Man), Le Samouraï, Le Cercle Rouge, and Un Flic. Melville also acted in his own Deux Hommes Dans Manhattan, as well as Cocteau’s Orphee, Jean-Luc Godard’s À Bout de Souffle (aka Breathless), and Claude Chabrol’s Landru (aka Bluebeard). He died in 1973.
(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:102465 )
A well made heist film with fine performances (as one might expect from Melville working with Delon, Montad, et al.). Intellectually satisfying, occasionally funny, but rarely very emotionally involving.
Hardly Melville's most evocative work, but a good example of his style and still a stellar heist-flick.
I wrote this in February of this year: "[That] the Criterion Collection losing the licensing for over twenty library pictures, the current editions
Le Cercle Rogue is another French policier that is a long, sometimes boring and sometimes tedious affair. It borrows heavily from The Asphalt Jungle, but is a hollow homage of that film. The standout… read review
It’s debatable among Jean-Pierre Melville buffs if this heist masterwork is his best film, considering the weight of “Le Samourai” and “Army of Shadows”, but it does feature one of the best heist scenes… read review