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Displaying wall posts 1 - 30 of 38 in total

Chris Jones

19May12

There is pimp, there is pimper and then there is pimpest. "Le Cercle Rouge" is, unquestionably, the pimpest.

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Jaspar Lamar Crabb

1Apr12

A great group of actors & Melville in top form

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Publius

14Feb12

Great heist movie which drips with style and doesn't allow itself to be hurried. Beautiful little artistic flourishes - the sequence of the lights dimming in the museum to the piano chords...then cut to a man lighting a cigarette for the last chord...my heart leapt.

barbudean and a Smith like this

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Michael Harbour

16Jan12

A well made heist film with fine performances (as one might expect from Melville working with Delon, Montad, et al.). Intellectually satisfying, occasionally funny, but rarely very emotionally involving.

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Ross Patterson

12Jan12

Hardly Melville's most evocative work, but a good example of his style and still a stellar heist-flick.

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G.W. Elmer

29Nov11

Delon's moustache is badass

barbudean likes this

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Cameron Casper

25Oct11

Probably the coolest film ever made.

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Gylfi Reynisson

20Oct11

Melville was such a master of making those cool, quiet characters with a sense of code and honour. This was a terrific heist film, much better then his next and ultimately last film, Un Flic.

WhatsUpWill

20Oct11

I love how economical Melville is with his dialogue. He knows that film is first & foremost a visual medium. He's a creator of pure cinema. There's never a point in any of the films I've seen of his where the dialogue feels unnecessary, which is more than you can say for contemporary crime film directors today such as Refn & Tarantino. Great film. The mise-en-scene constantly took my breath away.

Wu Yong likes this

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pjjrfan

10Sep11

I am becoming a big fan of Jean-Pierre Melville, his Army of Shadows left a big impression on me and this movie just makes me appreciate his style even more. The movie just moves at a steady pace I knew how it would end yet I was still hoping they would get away with it. I gotta see Le Samouri as soon as I can get a hold of it.

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jacksontyler

3Sep11

an understated heist film!!!

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Misho

3Sep11

Certainly the greatest heist film of all time.

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Dave

29May11

Melville showing that even into the 1970s that he could do "gangster cool" better than anyone else on the planet. As far as his gangster films go, I still prefer Le Samourai and Le Doulos, but this one is still a legitimately great movie.

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Dr. Strangelove

28May11

The greatest heist/crime film ever made.

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Zac Zellers

21May11

wow~!! the coolest heist film. so stoic. so well-dressed. so good at interior design. not cheesy at all.

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Lucas Granero

21May11

Posiblemente se trate del punto donde Melville logra poner en orden todas sus preocupaciones sobre el policial. Una especie de extremismo de lo ya expuesto en la anterior "Le Samurai", donde toda esa concepción polar de la acción adquiere matices grandiosas. Los hombres son de pocas palabras y de acción mas bien directa. No dan un solo paso en falso y lo único que los termina sepultando es su propio orgullo. Gigante.

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Aimee

25Mar11

this is one of those great build-up heist films that isn't saturated with car chases and hammy character lines (but theres nothing wrong with those kinds of movies either). The shots are just as calculated as the heist itself. we're not really invested in any flashback sequences or in the backgrounds of the characters themselves, its very focused in the moment (and to an extent, of the future heist).

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Graveyard Poet

19Mar11

The quintessential heist film. The ultimate in Cool. Melville is the Man.

SahilZafar

10Mar11

Melville is the Man! Excellent movie. Like his previous movies Melville used very little dialogues to create a supreme crime thriller. Alain Delon's acting was mesmerizing. Recommended

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Transit Yolcu

2Mar11

The beginning scenes are just great, especially the scene where Delon plays billiards and a makes a red circle with chalk, i am just impressed. But i don't like the heist scene though, i really love the development of characters through silence..

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ruby stevens

20Feb11

not one of my faves. hate delon's mustache for one thing. i'll take le doulos or le deuxieme souffle

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richmondhill

5Feb11

A rollicking riff on the mechanics of the gangster film. Splendidly realised in nearly all respects – taut construction, crisp direction and photography, generally tight performances, etc. – this is the most expansive – and obviously enjoyable – of Meville’s Gallic ripostes to the Americans. If not quite text book, it’s a deliciously odd mix of an exuberant delight in the genre assembled with a cool detachment.

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Border Radio

21Jan11

I found myself annoyed rather than enamoured with its all too blatant coolness. The heist scene is great though.

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AtlusSaGa

16Dec10

The heist scene in this was more breathtaking and suspensful than any I've seen in a Hollywood film from the last 20 years.

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Erik Villasenor

13Nov10

Coolest movie ever, nuff said.

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john connolly

28Aug10

your a group of pseudo-intellectual arseholes of the class Melville detested, any of you even had a school fight? never mind rob an institution. X.

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Reginald Healer Marcellin

23Jun10

..and swipe transitions make me ill. No matter how it's used

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Reginald Healer Marcellin

23Jun10

Other than the "All men are born innocent.." heavy handedness, this was one really classy film. Loved the heist scene. Weak climax though..

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Devon Hansen

16Jun10

i agree with allan. the ending was a bit uninspiring, but all in all a pretty excellent heist movie. needless to say, it's no le samourai. it would have been perfect with a good twist, which is what i was expecting, but i was ultimately disappointed.