With his customary restraint and ruthless attention to detail, director Jean-Pierre Melville follows the parallel tracks of French underworld criminal Gu (the inimitable Lino Ventura), escaped from prison and roped into one last robbery, and the suave inspector, Blot (Paul Meurisse), relentlessly seeking him. The implosive Le deuxième souffle captures the pathos, loneliness, and excitement of a life in the shadows with methodical suspense and harrowing authenticity, and contains one of the most thrilling heist sequences Melville ever shot. —The Criterion Collection
Jean-Pierre Melville (born Jean-Pierre Grumbach) was an amateur filmmaker as a teenager who, after the start of World War II, began making his own independent short and feature films. He hit his stride in the ‘50s with his memorable adaptation of Jean Cocteau’s novel, Les Enfants Terribles, and, over the next 20 years, specialized in intelligent and exciting crime films, most notably Bob le Flambeur, Le Doulos (aka The Finger Man), Le Samouraï, Le Cercle Rouge, and Un Flic. Melville also acted in his own Deux Hommes Dans Manhattan, as well as Cocteau’s Orphee, Jean-Luc Godard’s À Bout de Souffle (aka Breathless), and Claude Chabrol’s Landru (aka Bluebeard). He died in 1973.
(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:102465 )
Cristina Álvarez López & Adrian Martin’s new video essay looks at 13 recurring elements in the work of Jean-Pierre Melville.