When Lino Ventura was asked what he wants from a director, he replied:" for them to understand me on a deep inner level".
This is perhaps the film that would give birth to Melville's gangster genre style with Le Samourai and Red Circle following this. A lot of Melvilleisms in this film like focusing on Trenchcoats, fedoras and luggage. In this film also there's a great use of zooming and panning out, something of a legacy from the French new wave, you don't really see in films today.
Stylish crime drama from director Jean-Pierre Melville unfortunately just never really takes off. It's slow-paced and talky much of the time, and the plot is too murky and the characters not lively enough to be really compelling. It is a well-made film, and stylish in that very French way, but it is too dry and overlong to develop the suspense it should.