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Lebanon

Germany, France, Lebanon, Israel

2009

94 Min
Color
1.85:1
Arabic, English, French, Hebrew
  • Currently 3.6/5 Stars.
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DIR Samuel Maoz

PROD Anat Bikel, Leon Edery, Moshe Edery, Ilann Girard, Benjamina Mirnik, Uri Sabag, David Silber

SCR Samuel Maoz

DP Giora Bejach

CAST Raymonde Amsalem, Oshri Cohen, Yoav Donat, Michael Moshonov, Zohar Strauss

ED Arik Lahav-Leibovich

MUSIC Nicolas Becker, Benoît Delbecq

Toronto (Visions), Venice (Competition): Golden Lion, London (Film on the Square), New York, São Paulo, San Francisco (New Directors), Transilvania (Focus Israel), Karlovy Vary (Horizons), Melbourne (FIrst Encounters), Helsinki (Avainelokuvat)

Synopsis

An Israeli tank crew hits the ground hard during the 1982 invasion of Lebanon in this claustrophobic, visceral look at the Middle East conflict. Winner of the Venice Film Festival’s prestigious Golden Lion for Best Film, this Das Boot in a tank follows four luckless young men as they roll through a Lebanese town to separate civilians from the PLO, with predictably chaotic results. At first few villains, and fewer heroes, are in sight, with the only constant being the oppressive heat and sweat-laden interior of the tank. When something goes dangerously wrong, however, the situation escalates beyond all control and all reason. Joining a body of work that includes Waltz with Bashir and Beaufort, Lebanon addresses the madness of the Lebanon War through a first-person account. Writer/director Samuel Maoz was a naïve young recruit when he was sent to the same war, and his experiences there traumatized him for years afterwards. Placing viewers directly into the action, uncertain of what’s going on around them, surrounded by the noise and chaos of the outside world yet with literally no “viewpoint” out of the little box in which they find themselves, Maoz’s Lebanon creates a pointed metaphor for not just the Lebanon War but many other wars and conflicts. Alex Claude’s sound design of mechanical drones and muted explosions and a rumbling, sinister score by Nicolas Becker add to the film’s memorable, unsettling effect and turn Lebanon into a key work of an emerging Israeli new wave. —San Francisco International Film Festival

Wall

Displaying 4 of 17 wall posts.
Picture of Michael Harbour

Michael Harbour

16Jan12

Beautifully filmed so kudos on the cinematography. And the makeup. I never got a sense of the characters though, other than a few routine character traits, and I never really cared about what was happening. I look forward to more films from Samuel Maoz though because nothing in the movie was bad and what he did well he did very well.

Picture of Massimiliano (Max) Amato

Massimiliano (Max) Amato

2Sep11

Very original, clever, a great film.

Picture of Nadin

Nadin

5Jun11

I was disappointed. I saw the trailer and got hooked up on it. I thought it could be a nice link to Waltz with Bashir. But it never left a real impression on me.

Picture of Amani

Amani

19May11

Very strong performances, and cinematography was superb; the claustrophobic atmosphere was successfully achieved.

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Articles

Our roundup of essays and articles on this film.
W184

European Film Awards, IDA Awards and a Few More Lists

By David Hudson on December 4, 2010

The European Film Awards were presented this evening in Tallinn, Estonia, and it's turned out to be a good night for Roman Polanski and The

read article
W184

"Lebanon," "Cairo Time," "Other Guys," "Alice Creed," More

By David Hudson on August 6, 2010

"Lebanon, written and directed by Samuel Maoz, is not just the year's most impressive first feature but also the strongest new movie of any

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W184

The Auteurs Daily: Venice. Lions

By David Hudson on September 12, 2009

  The Venezia 66 Jury, headed up by Ang Lee, has awarded the Golden Lion to Samuel Maoz's Lebanon; here's the roundup of reviews so

read article
W184

The Auteurs Daily: Venice, Toronto and NYFF. Lebanon

By David Hudson on September 9, 2009

  "Visceral, torn-from-the-memory filmmaking that packs every punch except one to the heart, Lebanon is the boldest and best of

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W184

The Auteurs Daily: Anticipation

By David Hudson on August 31, 2009

  Last day of August, and not a moment too soon. While others sort out the implications of Disney's acquisition of Marvel (have at

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Potent Palette

By VIVANTE on August 7, 2010

The vibrant sunflowers and sky which open and close «Lebanon» are like the Sardinian desert island scene in Antonioni’s «Il deserto rosso». After the cramped, grimy, mechanic darkness of the tank…  read review

LEBANON

By Bobby Wise on February 28, 2010

“Levanon/Lebanon” by Samuel Maoz draws on the director’s experience manning a tank in the first Lebanon war. The genre of the war film is employed here with all of the usual tropes. However, the…  read review

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