Traumatised by the separation from his wife, a philosophy teacher, Martin finds himself experiencing a mid-life crisis. When he learns that an ageing artist he met recently died whilst making love, he is intrigued and visits the artist’s studio. Here, he meets the artist’s model, a plump seventeen year old named Cécilia, who reveals that her former employer had an insatiable appetite for sex. Martin’s curiosity about the relationship between artist and model soon turns into obsession as he arranges a daily meeting with Cécilia in his apartment, where, in between having sex with her, he interrogates her about every detail of her life. Martin’s obsession intensifies and takes a dangerous turn when he discovers that Cécilia is dating another man.
L’ennui, the film which brought international acclaim for its director Cédric Kahn, provides one of French cinema’s most unsettling portraits of middle-life crisis and obsession. Although the film has a slightly surreal edge to it, the characters and their bizarre situation have a resonance of truth about them, making it an honest and immensely engrossing work. –filmsdefrance.com
Born in Fontenay-aux-Roses, near Paris on 17.6.1996, his first job in film was as a trainee on Maurice Pialat’s SOUS LE SOLEIL DE SATAN. Shortly after this he worked as an assistant editor to Yann Dedet, with whom he later collaborated.He was coauthor on Brigitte Roüan’s OUTREMER. His debut as a feature film director was BAR DES RAILS.He made a name for himself at an international level with his Alberto Moravia adaptation, L’ENNUI and his portrait of serial killer ROBERTO SUCCO. —Berlin International Film Festival
terminar una crisis agotándola ¿buena idea, y si el héroe se destruye por completo en su descenso? prefiero las noches salvajes de collard