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Les chants de Maldoror

Marudororu no uta

Japan

1977

30 Min
Color
Japanese
  • Currently 3.8/5 Stars.
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DIR Shûji Terayama

SCR Shûji Terayama, Comte de Lautréamont

DP Tatsuo Suzuki

CAST Keiko Niitaka, Susumu Oono, Yoko Ran

MUSIC Akio Suzuki

Synopsis

“Marudororu No Uta” was Shuji Terayama’s 27-minute attempt to visualize the Comte de Lautreamont’s “Les Chants De Maldoror”, a series of hallucinatory and disturbing prose-poems which were a big influence on the Dada-ists and early Surrealists… Images juxtapose and overlap during scenes awash in lurid colors, weird action sequences move behind strips of static Japanese text and collage art… Nude forms glow in clips of bondage, human personnel interact absurdly with animal counterparts, while a hand randomly scribbles caligraphy at various points throughout… However plotless, this experimental silent short has bizarrely intriguing imagery and an interesting soundtrack, and is worth the view for its artistic merit…

Director

Original

Shûji Terayama

Shūji Terayama (December 10, 1935—May 4, 1983) was an avant-garde Japanese poet, dramatist, writer, film director, and photographer. According to many critics and supporters, he was one of the most productive and provocative creative artists to come out of Japan. He was born December 10, 1935, the only son of Hachiro and Hatsu Terayama in Hirosaki city in the northern Japanese prefecture of Aomori. His father died at the end of Pacific War in Indonesia in September 1945. At the age of nine, his mother moved to Kyūshū to work at an American military base while he himself went to live with relatives in the city of Misawa, also in Aomori. At this same time, Terayama lived through the Aomori air raids that killed more than 30,000 people.

Terayama entered Aomori Prefectural Aomori High School in 1951, and in 1954 went to prestigious Waseda University’s Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome… read more

Wall

Displaying 4 wall posts.
Picture of Sunrise

Sunrise

11Apr12

The incredibly hapatic quality of a snail juxtaposed with human skin drives towards sexual poetics that are more effective than Terayama's Emperor Tomato Ketchup, merely for the fact the imagery relates to a more primal human instinct and us not lost within completely abstracted politics. Females retaining control over eggs further emphasize a narrative thread about the basics of life and our war over its ownership.

Picture of SAYONARA BUNKA!! (Formerly Corbeau)

SAYONARA BUNKA!! (Formerly Corbeau)

6Jun11

You can find it here: http://www.ubu.com/film/terayama_vol5.html

Picture of CroMartin

CroMartin

11May11

I really really wish I could find somewhere where I could watch this.

Picture of Cacophonism

Cacophonism

12Sep10

"How sweet to snatch brutally from his bed a boy who has as yet nothing upon his upper lip, and with eyes open wide to feign to stroke his hair softly, brushing back his beautiful locks! And all of the sudden, just when he least expects it, to sink your long nails into his tender breast, but not so that he dies, for if he died you would miss the sight of subsequent sufferings."

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