Bébel is looking forward to his holiday with his American girlfriend, but when she dumps him at the airport he ends up living in a tent in Paris. He gets a job testing the “Love Computer”, an invention which popular singer, Memphis, hopes to use to find his ideal woman and promote his career. Through the Love Computer, Bébel discovers his perfect mate, a linguist Claudine, whose twin sister Hélène has just run off with her boyfriend. Memphis is convinced that Claudine is the girl for him, and, realising that she only has eyes for Bébel, tricks her into believing that Bébel is a rampant homosexual. When Claudine abandons him to stay with Memphis in Saint-Tropez, Bébel rounds up his former college friends and sets about trying to win her back. —Filmsdefrance
Claude Zidi (born July 25, 1934) is a French film director and screenwriter who is noted for his mainstream burlesque comedies. Born in Paris, he started as a cameraman and then cinematographer, and made his directorial and screenwriting debut in 1971. He won the César Award for Best Director for My New Partner, for which he was also nominated for Best Writing.
The director Claude Zidi began his film career as a cinematographer, later he became a director assistant. At the beginning of the 70’s he directed his first movie and especially at the beginning of his career he shot normally comedies. To his first movies belong “Les bidasses en folie” (71), “La moutarde me monte au nez” (74), “La course à l’échalote” (75) with Pierre Richard, “L’aile ou la cuisse” (76) with Louis de Funès, “L’animal” (77) with Jean-Paul Belmondo and “La Zizanie” (78) – again with Louis de Funès.
His comedies changed to a reflection of the society in the 80’s but always with a smile on the lips… read more