Swedish filmmaker Tomas Alfredson weaves friendship, rejection and loyalty into a disturbing and darkly atmospheric, yet poetic and unexpectedly tender tableau of adolescence. Let the Right One In is based on the best-selling novel by John Ajvide Lindqvist.
Twelve year old Oskar is an outsider; struggling to fit in at school and left alone to fend for himself at home while his mother works nights. One evening he meets the mysterious Eli. As a sweet romance blossoms between them, Oskar learns to overcome his tormentors and discovers Eli’s dark secret and the connections to gruesome events occurring across town. Together they must help Eli be gone and live, or stay and die.
Tomas Alfredson started his movie career by working as an assistant at Svensk Filmindustri. He spent a couple of years directing music videos and another couple of years starting up Swedish television…( read more) channel TV4. At TV4 Tomas was part of building the entertainment department and initiated several long term successes such as “Fort Boyard”.
After his time at TV4 Tomas spent the next few years at SVT, the Swedish public broadcaster, with popular television series such as “Ikas TV-kalas” and entertainment show “7 till 9” together with legendary television producer Bo Rehnberg. In the early nineties Tomas directed his first television series for SVT´s drama department, “Bert”, a hugely successful family entertainment series. When the popular character was taken to the big screen in 1995 in Bert – den siste oskulden (Bert – The Last Virgin), Tomas was nominated to a Guldbagge Award for best director (the official Swedish film award, awarded annually since 1964 by the… read more
“For Alfredson the moral is contained in the aesthetic.”
Above: Kåre Hedebrant as Oskar, thinking about what we wants to do to his classmate bullies. "Let the right one in" is a delicious phrase
Above: Kåre Hedebrant as Oskar, thinking about what we wants to do to his classmate bullies. "Let the right one in" is a delicious phrase
Let the Right One in is the most pretentious vampire movie I’ve ever seen. I mean it— where others have consistently championed this film for being a “fresh” and “modern” take on vampires, I see only… read review
Vampires, far more than humans, realise the true cost of love, and because they are immortal, they smash up against the shores of this tragic landscape time and time again. In doing so, they also face… read review
La Suède possède divers cinéastes capables de s’exprimer de manières bien différentes et ce depuis des décennies entre les Bergman, Andersson et consorts. Arrive alors Tomas Alfredson qui décide de… read review
Conforme transcurría la película la temática me sorprendió, y lo que más me sorprendió fue que me gustase.
Más que una historia de vampiros “Låt den rätte komma in” es una historia sobre la… read review