In this political drama, focuses on the nature of political persecution through his hero Antonio (Giancarlo Giannini), a taxi driver in the capital of a dictatorship. Running alongside the political theme is a love story between Antonio and María, a waitress in a local café. Antonio was booted out of the military for refusing to fire on a boat carrying women and children during the Angola civil war. His main objective now is to stay aloof and uninvolved — until he meets María. She has him take a man to the airport one day, and Antonio soon realizes that this fellow is a revolutionary working to oust the dictator. The ride he gave the man is the excuse the Secret Police need to pick up Antonio, and they put him in prison where they abuse him, trying to find out about his passenger. But he truly does not know anything, and he would never implicate María. The other prisoners at first turn against him but change their attitude when they discover he plans an escape, and soon everyone is about to make a break for freedom. —filmaffinity.com
Grigori Naumovich Chukhrai (Russian: Григорий Наумович Чухрай, Ukrainian: Григорiй Наумович Чухрай; 23 May 1921 – 29 October 2001) was a prominent Soviet film director and screenwriter. He is the father of director Pavel Chukhrai.
He was born in Melitopol in the Zaporizhia Oblast of Ukraine. A decorated veteran of World War II, Chukhrai’s wartime experiences profoundly affected him and the majority of his films were connected with events of the war.
At war’s end, he studied filmmaking at the Soviet State Film School and then developed his craft as a director’s assistant at the Kiev Film Studio. By the mid 1950s, he began writing and directing his own films, gaining cinematic recognition outside the Soviet Union at the 1957 Cannes Film Festival with his film Sorok pervyj (The Forty-first).
In 1959, Chukhrai co-wrote and directed his greatest work, Ballad of a Soldier. A story of love and the tragedy of war made without the usual Soviet propaganda, the film received… read more