Life Without Principle tells the story of three characters: an ordinary bank teller turned financial analyst is forced to sell high risk securities to her customers in order to meet her sales target; a small-time thug delves into the futures index hoping to earn easy money to post bail for a buddy in trouble with the law; a straight-arrow Police inspector, who has always enjoyed his middle income lifestyle, is suddenly desperate for money when his wife puts a down payment on a luxury flat she can’t afford and his dying father wants him to look after a young half-sister he never knew he had. —Venice Film Festival
Following his directorial debut with the 1980 period martial arts fantasy The Enigmatic Case, To’s career came to something of an apex in the late 1980s thanks to such memorable action films as The Big Heat and tender, personal dramas like All About Ah-Long (the latter of which landed star Chow Yun-Fat a Best Actor award at the 1990 Hong Kong Film Awards). After taking the helm for such memorable action films as The Heroic Trio and directing Stephen Chow in such films as Justice, My Foot and Mad Monk in the early ‘90s, To moved into producing with the creation of independent film company Milky Way Films, a company which yielded such popular Hong Kong action efforts as Nai-hoi Yau’s The Longest Nite and Expect the Unexpected. Though To’s production company was indeed a success, his career behind the camera was in need of some rejuvenation, an issue which he readily addressed with the release of his highly praised 1999 crime drama The Mission.
Utilizing convention as a springboard… read more
The global financial crisis causes Hong Kong citizens from all walks of life to make morally dubious choices out of both selfishness and self preservation in Johnnie To's blistering drama. From bank tellers to policemen to gangsters, the crisis touches everyone,and the choices they make resonate far past themselves in ways they could never suspect. Timely and sobering filmmaking.
In Hong Kong, a bank teller reluctantly financial adviser, a career criminal, and a police inspector attempt to weather, navigate, survive, and maybe even benefit from a crisis in the financial markets. A well made "street level" experience that would make a fine double feature with the penthouse level "Margin Call".
Overviews of the Museum of the Moving Image series: 13 features and seven shorts, nearly all of them New York premieres.
“Relentless and exciting, and expansive in its critique of the various ways institutions screw the individual.”
Johnnie To’s Life without Principle, his second film of 2011, and second dealing with the current financial crisis, premieres at Venice.