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trolley freak
16Apr12
Fassbinder's final film with Hanna Schygulla tackles the Second World War from a unique and interesting perspective, namely via the leading lady's interpretation of the famous song that will be forever associated with Marlene Dietrich. Schygulla gives an energetic performance as the cabaret singer whose career parallels the rise and fall of Nazism. Far from being one of Fassbinder's best, I still liked it immensely..
Franz Walsch
9Dec11
the only fassbinder film i don't deeply love, don't get me wrong it is phenomenally beautiful cinematography-wise but it is an absolute mess plot and character etc. wise.
thomas groh
19Feb10
just seen on the big screen. beautiful example of cinema mannerism (in a good way). loved the kitsch, the glitz, the camp appeal.
funky000punky likes this