From acclaimed auteur Joe Swanberg ( Hannah Takes the Stairs, Kissing on the Mouth ), the SXSW Film Festival favorite LOL is a raw, witty and painfully intimate look at modern sexuality and the technology that either helps us click or turns us off.
Struggling to balance their online obsessions with the demands of real life, Alex (Kevin Bewersdorf), Chris (C. Mason Wells) and Tim (Swanberg) are, like many young men, unable to decipher the mixed messages that everyday tools of communication offer. Does e-mail help them connect, or are they alienating their chances for love by viewing women through the dimensions of a computer screen and the lens of a cameraphone?
Filmed with documentary-like realism and a nonprofessional cast, and featuring a brilliantly eclectic soundtrack by Bewersdorf, LOL ’s defiantly un-Hollywood approach pulls no punches in its up-to-the-second relevance and honesty about the new male paradigm. –Benten Films
Joe Swanberg (born August 31, 1981) is an American independent filmmaker and actor.
Known for micro-budget dramas which make extensive use of improvisation, Swanberg is considered a major figure in the mumblecore film movement. His films often focus on relationships, sex, technology, and the filmmaking process.
Swanberg was born on August 31, 1981 in Detroit. He attended Southern Illinois University at Carbondale as a film major, earning a Bachelor’s Degree in 2003. Two years later, Swanberg directed his first feature, Kissing on the Mouth. He followed it with LOL (2006), which marked Swanberg’s first time working with actress Greta Gerwig. Gerwig and Swanberg collaborated on the director’s next two features: Hannah Takes the Stairs (2007), which also starred filmmakers Andrew Bujalski, Ry Russo-Young, and Mark Duplass and marked Swanberg’s first collaboration with animator and actor Kent Osborne; and Nights and Weekends (2008), on which Gerwig shared a directing credit… read more
Swanberg's take on modern communication though slight is certainly very watchable. That modern illogical way of dealing with people; the way we pay more attention to the nameless, faceless often fictional people in our online lives while ignoring those right next to us in our direct and peripheral vision. Quite entertaining despite the lack of payoff or conclusions.