This is the final film in the BRD trilogy, where Fassbinder uses his narrative to access and criticise the social conditions of Germany’s miraculous economic recovery after their defeat in World War II. This time, it is about an upright building commisioner, a corrupt building contractor and a prostitute, and accuses Germany in the 50s of a hypocritic facade of morality amidst amoral times and once again, deals with Germany repress its shameful past under the Third Reich. This film serves as a kind of black comedy and perhaps was my least favourite of the trilogy simply because I could not enjoy the caricatures too much, perhaps due to a different sense of humour or a lack of contextual knowledge. Nevertheless, the candy colours and overall plot is still interesting as a Fassbinder film should be. But yet again, still not that as engrossing as I would have liked to be, though it should work better for other audiences.