Long Live the Lady! is a contemporary comedy-allegory that reveals itself in the manner of a fairy tale set in an enchanted castle. The ’’castle’’ is, in fact, a splendid Alpine hotel. Its princes, princesses, magicians and court jesters are members of an international conglomerate who have come together to talk business and pay their respects to the conglomerate’s aloof, very old and all-powerful chief executive officer, the ’’lady’’ of the title.
The central character is Libenzio, a naive, young, apprentice waiter brought to the hotel to serve at the convention’s magnificent banquet. Libenzio observes all with the wide, surprised eyes of Jack at the top of the beanstalk. He marvels at the mysteries of the hotel’s grand kitchen and wine cellars. He’s schooled in the etiquette of proper serving techniques, taught about hygiene (‘’Body odors offend,’’ he’s told), and is propositioned by an imperious female guest. —nytimes
The death of his father during the Second World War led Ermanno Olmi to seek work at an early age. From the age of 18, he worked as a factory clerk, a position he would occupy for nearly ten years. Ironically, factory life would also enable Olmi to discover his true vocation when he became involved in industrial film production for the Edison-Volta company. From 1953 to 1961, Olmi was involved in the making of at least forty documentary shorts. His first feature Time Stood Still was initially commissioned as a short documentary on a hydroelectric dam built in the Italian Alps. The resulting film was an unusual two-character “chamber piece”; the chamber being a cabin in the snow-bound Alps which housed a middle-aged watchman and a younger man who joins him as a temporary replacement.
Already visible is Olmi’s detailed minimalism, a style which evokes the richness of the small forgotten moments of everyday life. His first international success, and most influential film, was his second… read more