Long Live the Lady! is a contemporary comedy-allegory that reveals itself in the manner of a fairy tale set in an enchanted castle. The ’’castle’’ is, in fact, a splendid Alpine hotel. Its princes, princesses, magicians and court jesters are members of an international conglomerate who have come together to talk business and pay their respects to the conglomerate’s aloof, very old and all-powerful chief executive officer, the ’’lady’’ of the title.
The central character is Libenzio, a naive, young, apprentice waiter brought to the hotel to serve at the convention’s magnificent banquet. Libenzio observes all with the wide, surprised eyes of Jack at the top of the beanstalk. He marvels at the mysteries of the hotel’s grand kitchen and wine cellars. He’s schooled in the etiquette of proper serving techniques, taught about hygiene (‘’Body odors offend,’’ he’s told), and is propositioned by an imperious female guest. —nytimes
Though not among Italy’s most internationally renowned filmmakers, Ermanno Olmi ranks as one of his country’s finest. He is known for making realistic films about the lives of average people that are infused with an almost austere subtlety and rare ambiguity that is sympathetic yet not overly sentimental. A native of Bergamo, Italy, he was the son of peasant factory workers. Following his father’s death during WWII, Olmi and his mother supported the family working in the Edison-Volta electric plant where Olmi worked as a clerk. While there, he became involved in company-sponsored filmmaking and theatrical projects. Most of the films he made for the company had industrial themes. Eventually, he came to head the company film department and over the next seven years made many documentaries, notably his last Edison-Volta film, Il Tempo Si E Fermato (Time Stood Still), in 1959. It was with this film, a chronicle of the relationship that gradually developed between an elderly nightwatchman… read more