Italy in the 30s. Tonino, a sad faced, freckled peasant, comes to Rome to kill Mussolini. He has anarchist connections, and his contact in Rome is Salome, a lively flapper and popular professional at the bordello where she lives. She introduces him as her cousin, giving him access to the brothel, and she helps him prepare for the assassination, scheduled a few days after his arrival. Within a day, he has fallen in love with Tripolina, one of the younger prostitutes. Tonino does the madam a favor, and, in exchange, Tripolina gets two days off to spend with him. How will this love affair, Salome’s political will, and the assassination plans play out? —IMDb
Born in Rome in 1928, Lina Wertmüller (true name Arcangela Felice Assunta Wertmüller von Elgg Spanol von Braucich) enrolled on stage directing courses at the Accademia Pietro Sharoff in 1951. After gaining her diploma, she worked in the theatre with Garinei and Giovannini and became assistant director to Giorgio De Lullo.
She again worked as assistant director to Fellini on “8 1/2 (Otto e mezzo)” (1963). In the meantime, she worked in the radio and directed television programmes such as “Canzonissima”.
She made her film directing debut with “The Basilisks (I basilischi)” (1963), then in 1965 directed the episodic cinema film “Now Let’s Talk About Men (Questa volta parliamo di uomini)” and for the television “Gian Burrasca’s Diary (Il giornalino di Gian Burrasca)”, a successful adaptation of the eponymous novel by Vamba.
Since then she has directed a further seventeen full-length films for the cinema, including “The seduction of Mimi (Mimì metallurgico ferito nell’onore)”… read more
An interesting counterpoint to Rossellini's optimism for a new society. Wertmuller presents a film of decided negativity and fatalism, underscoring the post-war sense of disillusionment with the unfulfilled Resistance ideals.
She undercuts all romantic political allusions, and expresses the complete inadequacy of individual actions to bring about any meaningful change in a society, and stripped off all its sentimentality we are left with the harsh realities and a certain uneasiness. Its loud, colourful, emotional, and what I find wonderful in this movie is Wertmuller's understanding of man's need for human relationships and affection.
A valley of emotions, conspiracies, male / female tremors and on top of that, you have the best Melato you could get! The original title in Italian presents a far more lively tone in order to comprehend the dualities of the protagonists and of a majestic Rome through Wertmüller's lens.
Wertmuller’s penchant for balancing politics and love meets its culminating point in Love and Anarchy. Giannini’s masterpiece of a character frustrated, tired of being nothing and turned crazy; Polito… read review