Philip (Pierce Brosnan), an Englishman living in Denmark, is a lonely, middle-aged widower and estranged single father. Ida (Trine Dyrholm) is a Danish hairdresser, recuperating from a long bout of illness, who’s just been left by her husband for a younger woman. The fates of these two bruised souls are about to intertwine, as they embark for Italy to attend the wedding of Philip’s son and Ida’s daughter. With warmth, affection and confidence, Bier has shaken a cocktail of love, loss, absurdity, humour and delicately drawn characters who will leave only the hardest heart untouched. This is a film about the simple yet profound pains and joys of moving on – and forward – with your life. –TIFF
Director and occasional scriptwriter Susanne Bier essayed a series of helming assignments in her native Denmark during the late ‘90s and early 2000s, that clocked in as lucrative and popular enough to kick-start a highly respectable career for the filmmaker. Though Bier’s credits officially date back to 1992, she achieved her first significant breakthrough in 1999, when she directed The One and Only — a well-received romantic comedy about dating, marriage, child-rearing, and adultery. That film reportedly grossed a heftier amount than any picture in Danish history; a follow-up, the Dogme 95 drama Open Hearts (2002), brought Bier her first international crossover hit and paved the way for much additional success. Shot according to Lars von Trier’s hyper-ascetic filmmaking rules, it told of two couples whose lives become hopelessly and tragically enmeshed following a severe automobile accident. Bier’s Danish-language drama Brothers(2004) explored the feud that… read more
Bier makes an abrupt 360 here and visits the world of romantic comedy, where she got her start some 20 years ago, and creates an enjoyable summer date film. Would be easy to take potshots at this one with its convenient and familiar script but...its just so enjoyable. Dyrholm is great here as is Brosnan who is just plain yummy (sorry). Wonderful Palermo set wedding film that offers nothing new but did it have to?