When a crafty reporter uses false pretenses to get a story out of heiress Tony Gateson, she turns the tables on him, telling the press that she’s engaged to him and that she’s given him a million dollar dowry. Suddenly he’s on the front page and every salesman is at his doorstep. He loses his job and a day later asks her to call off the ruse; she tricks him again and the publicity continues. She stays cheerful and resourceful through a series of misadventures that has him alternately back on his job and fired. Meanwhile, a count who’s her ex-fiancé shows up in New York, and maybe that marriage is back on. Can an heiress be a human being, and can a reporter get a scoop? —IMDb
Tay Garnett (born William Taylor Garnett 13 June 1894 – 3 October 1977) was an American film director and writer.
Born in Los Angeles, California, Garnett served as a naval aviator in World War I and entered films as a screenwriter in 1920. He was a gagwriter for Mack Sennett and Hal Roach, then joined Pathé and began to direct films in 1928. Among his films are One Way Passage (1932), China Seas (1935), Eternally Yours (1939), Seven Sinners (1940), Cheers for Miss Bishop (1941), The Cross of Lorraine (1943), and Bataan (1943). He is best known as the director of the 1946 thriller The Postman Always Rings Twice with John Garfield and Lana Turner. A Connecticut Yankee in King Arthur’s Court (1949) with Bing Crosby and Rhonda Fleming was also well-received. Garnett also worked in radio as a writer, director and narrator. He created a show titled “Three Sheets to the Wind”(1942) which starred John Wayne as Dan O’Brien, an American private eye posing as a drunk on a luxury liner… read more