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Love Will Tear Us Apart

Tianshang renjian

Hong Kong

1999

114 Min
Color
1.85:1
Cantonese, Mandarin
  • Currently 2.9/5 Stars.
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DIR Nelson Yu Lik-wai

PROD Stanley Kwan, Tony Leung Ka Fai, Kit Ming Li

SCR Nelson Yu Lik-wai

DP Lai Yiu-Fai

CAST Tony Leung Ka Fai, Lü Liping, Ning Wong, Rolf Chow

ED Keung Chow

PROD DES Albert Poon

Cannes (In Competition), Vancouver (Dragons & Tigers), Rotterdam (Main Programme)

Synopsis

Ah Ying is a provincial prostitute from mainland China. With a short-term visa, she hopes to start a new life in Hong Kong. She hooks up with other immigrants: a woman who can no longer work as a dance instructor since she lost a leg, a porn enthusiast and an introvert addicted to hookers. Entrapped in dingy brothels, cramped lifts and karaoke, these new generation nomads are united in a common struggle. But the battle between homeland attachment and their new lives will tear them apart.

Director

Original

Nelson Yu Lik-wai

Yu Lik-wai (simplified Chinese: 余力为; traditional Chinese: 余力爲; Mandarin Pinyin: Yú Lìwéi; Jyutping: Yu4 Lik6 Wai4; born August 12, 1966 in Hong Kong) (sometimes credited as Nelson Yu Lik-wai or simply, Nelson Yu) is a Hong Kong cinematographer, film director, and occasional film producer. Born in Hong Kong, Yu was educated at Belgium’s INSAS (Institut National Superieur des Arts de Spectacle) where he graduated with a degree in cinematography in 1994.1 Yu has become a mainstay in both the cinemas of China (where he is perhaps best known for his collaborations with director Jia Zhangke) and Hong Kong.

Yu has served as director of photography for nearly all of Chinese director Jia Zhangke’s films, and along with Jia, the two men founded their own independent film production company, Xstream Pictures.—Wikipedia 

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W184

What is the 21st Century?: Going Places with Yu Lik-wai

By Ignatiy Vishnevetsky on October 26, 2009

If you're going to talk about cinema at present, even if you're not talking very thoroughly, it's inevitable that Yu Lik-wai's work, if not

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Zzzzz

By Benoît on August 30, 2011

Encore un film typé Cannes et dont il ne ressort finalement pas grand chose. En gros, le réalisateur prend les bas-fonds de Hong-Kong à travers la prostitution, la pornographie, la drogue, etc. Le…  read review

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