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Lover Come Back

United States

1961

107 Min
Color
1.85:1
English
  • Currently 3.2/5 Stars.
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DIR Delbert Mann

PROD Robert Arthur

SCR Paul Henning

DP Arthur E. Arling

CAST Doris Day, Rock Hudson, Tony Randall, Edie Adams, Jack Oakie

MUSIC Frank De Vol

Director

Original

Delbert Mann

Delbert Martin Mann, Jr. (January 30, 1920 – November 11, 2007) was an American television and film director. He won the Palme d’Or (Golden Palm) at the Cannes Film Festival and the Academy Award for Best Director for the film Marty. It was the first Best Picture winner to be based on a television program, being adapted from a 1953 teleplay of the same name which he had also directed. Mann is also the only director other than Billy Wilder and Roman Polanski to win an Oscar for his direction and a Cannes Palme d’Or for the same film. From 1967 to 1971, he was president of the Directors Guild of America.

Mann was born in Lawrence, Douglas County, Kansas, the son of Ora (née Patton), a civic worker and teacher, and Delbert Martin Mann, Sr., a college professor. Mann graduated from Vanderbilt University in Nashville, Tennessee. After school, he served with the U.S. Army Air Corps in WW II, then got discharged after service in the European theater. He then attended Yale Drama School… read more

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Elisa

13Nov11

The pic above is from SEND ME NO FLOWERS, not this movie.

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Slowart

3Sep10

pillow talk's twin but one can't resist doris day's "uhhhhh", it's soapy plot and bright interiors

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richmondhill

10Apr10

Lover, Don't Bother. Amiable but generally lazy rehash of Pillow Talk with reductive replays of the previous film's already less-than-original plot devices and ploys - rivalry, impersonations, etc. A coarsening of the formula with Day more priggish and Hudson more caddish, often sans shirt. As ever all plot foreplay and no consummation with plenty of exposition leading to a hurried and rather muted finale.

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Lover, Don't Bother...

By richmon​dhill on April 10, 2010

Amiable but generally lazy rehash of Pillow Talk with reductive replays of the previous film’s already less-than-original plot devices and ploys – rivalry, impersonations, etc.

A coarsening…  read review

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