Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place (Círculo polar) where the day never ends in the midnight sun. There are things that never end, and Love is one of them. —IMDb
Julio Médem (born 21 October 1958) is a Spanish Basque writer and film director. He was born in San Sebastián, Basque Country and showed an interest in movies since childhood, when he would take his father’s Super 8 camera and shoot at night, while nobody was paying attention. After college graduation (where he earned degrees in Medicine and General Surgery) he worked as a film critic and later as a screenwriter, assistant director and editor. After a few shorts he directed his first full length feature, Vacas (’Cows’) for which he won a Goya Award.
After this film he directed The Red Squirrel and Earth, both receiving good reviews at Cannes. In his next movie, Lovers of the Arctic Circle, which has been compared to the works of Krzysztof Kieślowski, he explored circular narrative and a taste for minimalistic textures that he then overcame in his next film, Sex and Lucia, where the plot dissolves into a very lyrical eroticism. After this film he took a tangent from his style… read more
I felt Medem's similar, and follow-up film, Sex & Lucia was better, but this really laid out his thoughts on storytelling and and what film can do. I thought it was successful for the most part, but the ending just didn't deliver. I thought the performances were quite strong, especially from Mimri, Díaz and Novo.
pretentious neverending romantic blabber. waste of time, i won't say disappointment because after 'room in rome' (FAIL), what could I expect of this? (and I like Lucia y el sexo, maybe I should reconsider...)
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