Mati is a spunky street vendor and single mother known throughout the village as Madame Brouette, a proud and independent woman who defies the male-centered traditions of her culture with hopes of leading a dignified life. Having escaped from a violent marriage, she dreams of rising above the world of abuse that surrounds her by opening a café. Fate steps in when she meets and falls in love with Naago, a smooth-talking charmer who happens to be a crooked cop. When the neighborhood awakens to the sound of bullets and Naago is found dead, all fingers point to Mati. Part detective story, part fable, this rhythmic tale of passion, ambition and betrayal is a gem of new African cinema. –TLA Releasing
A painter as well as a filmmaker, Absa draws heavily on performance art and other visual art forms in his feature films. As he once said, “I see the décor as a character, and this character is just as important as an actor. The sets speak to us. I like cinéma vérité, and I am inspired by reality.” Absa’s work exemplifies a generation of Senegalese filmmakers (including Mansour Sora Wade and Dyana Gaye) whose use of color, stunning imagery, and close collaboration with various forms of performance art is inspired by the culture’s ‘Masters.’ Absa presents a Senegal that recognizes the value of all of its people, speaking to and valuing the old and the young, men and women, the politics and the poetry of his society. —www.movingimage.us
Moussa Sene Absa overflows with creativity. He is an artist, writer, and musician, as well as a film director. He made his debut as an actor, then moved to directing with the production of his own stage play, La Légende de Ruba.
In cinema, he… read more