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Mademoiselle

France, United Kingdom

1966

105 Min
Black and White
2.35:1
French, Italian, Latin
  • Currently 3.9/5 Stars.
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DIR Tony Richardson

PROD Oscar Lewenstein

SCR Marguerite Duras, Jean Genet

DP David Watkin

CAST Jeanne Moreau, Ettore Manni, Keith Skinner, Umberto Orsini, Georges Aubert, Jane Beretta, Paul Barge, Pierre Collet, Gérard Darrieu

ED Sophie Coussein

PROD DES Jacques Saulnier

MUSIC Antoine Duhamel

SOUND Peter Handford

Berlinale (Special Screening), Cannes (In Competition)

Synopsis

Mademoiselle is a 1966 BAFTA winning French – British drama film directed by Tony Richardson. The dark drama won a BAFTA award and nomination and was featured in the 2007 Brooklyn Academy of Music French film retrospective. Jeanne Moreau plays an undetected sociopath and arsonist, a respected visiting schoolteacher in a French village.

In 1951, French writer Jean Genet presented a screenplay called “Les rêves interdits/L’autre versant du rêve” to actress Anouk Aimée as a wedding gift. He then proceeded to sell the rights three times without telling her. Eventually the script was reworked by Marguerite Duras and filmed by British director Tony Richardson as Mademoiselle, with Jeanne Moreau in the title role. In its final form, Mademoiselle tells the story of a repressed schoolteacher who visits a veritable plague of deliberate “accidents” on the people of her rural French village. She sets fires, poisons animals, and causes floods — all in a fit of thwarted passion for an immigrant woodcutter (Manou). Also, after befriending Manou’s son, she turns on the lad, making him miserable and raising his suspicions. Her designs, Manou’s frank innocence, and the town’s xenophobia mix explosively.

Though Marlon Brando was originally set to play the role of the Italian craftsman, the part went to Ettore Manni when the production schedule shifted. Umberto Orsini plays Antonio, the woodcutter’s forlorn son, whom Mademoiselle maliciously humiliates out of perverse desire for his father. A notoriously difficult shoot, Mademoiselle was filmed consecutively with The Sailor From Gibraltar, another collaboration between Richardson, Moreau, and Duras. As for Genet, he despised the casting of Moreau; nevertheless, she would go on to star in Querelle, another adaptation of the author’s work. –WIkipedia

Director

Original

Tony Richardson

Cecil Antonio “Tony” Richardson (5 June 1928 – 14 November 1991) was an English theatre and film director and producer.

Richardson was born in Shipley, Yorkshire in 1928, the son of Elsie Evans (Campion) and Clarence Albert Richardson, a chemist. He attended Ashville College, Harrogate and Wadham College, Oxford.

Representative of the British “New Wave” of directors, he developed the ideas that led to the formation of the English Stage Company, along with his close friend George Goetschius and George Devine. He directed John Osborne’s seminal play Look Back in Anger at the Court, writing both the theatre and playwright into British theatrical history. In the same period he directed Shakespeare in Stratford-upon-Avon.

In 1959, Richardson co-founded Woodfall Films with John Osborne, and, as Woodfall’s debut, directed the film version of Look Back in Anger despite having no track record in making feature films (he had, however, been a pioneer in Britain’s… read more

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milkfloat

30Dec11

This is nice, because Jeanne Moreau is so graceful and creepy.

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Matthew

2Jun11

Alright, so I loved this film. Some impressive visuals, including one truly amazing scene (the shadow scene, for those who know). My only problem was with the absolutely disgusting amount of animal cruelty. Tony Richardson must've been a man with no regard for other creatures. Other than that, thumbs up

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    Human Form

    19Nov11

    did you hear? they killed animals in cannibal holocaust. I'm disgusted I wish I had a time machine and some weapons so I could hurt the people responsible. Animals over humans. Vegan Straight edge. Freeing minks from cages 2000.McDonalds Boycott. Occupy a graveyard, fruit.

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alice_the_goon

24Jan11

A cinematographically stunning film, rendered in gorgeously contrasting black and white. And top that off it has what may be Jeanne Moreau's finest performance as a deranged elementary school teacher. Perfection!

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Mademoiselle (1966)

6 posts by 3 people 5 months ago