A young provincial in search of adventure stumbles into the subterranean world of sadomasochism when he is implicated in a burglary of a Paris apartment. The apartment’s mistress runs a two-floor operation, all respectability above and a dungeon of punishment-seeking clients below. After the young man becomes her upstairs lover, she finds that the two levels of her carefully controlled existence begin to interfere with each other. Barbet Schroeder’s Maîtresse examines the line between fantasy and reality, decadence and deprivation, and the distance one will go for love. —The Criterion Collection
Barbet Schroeder’s Swiss geologist father was on assignment in Iran when he was born. After a globe-trotting childhood, Schroeder was educated at the Sorbonne; then, like half the under-30 population of France (or so it seemed), he became a movie critic. Brief jobs as a jazz concert producer and news photographer followed before Schroeder went to work as an assistant for one of his role models, French director Jean-Luc Godard. In 1964, the 22-year-old Schroeder set up his own film production company, Les Films du Losange. Among the many prominent pictures produced by Schroeder include director Eric Rohmer’s “Moral Tales” La Collectioneuse (1966), My Night at Maud’s (1969), and Claire’s Knee (1970). Schroeder himself turned director with 1969’s More, gaining critical attention with several unorthodox documentaries. With the American film Barfly (1987), Schroeder established himself as a prime purveyor of “slice of life” drama — albeit entertaining enough to please the crowd. Oscar nominated… read more
Interesting character drama from director Barbet Schroeder is surprisingly subtle and nuanced considering the lurid subject matter - though it does have its shockingly graphic moments. Well-drawn characters and strong performances, though it is slow at times and a handful of scenes drag on too long.