Documentary filmmakers André and Rémy have found an ideal subject in Ben. He is witty, sophisticated, intelligent, well liked—and a serial killer. As André and Rémy document Ben’s routines, they become increasingly entwined in his vicious program, sacrificing their objectivity and their morality. Controversial winner of the International Critics’ Prize at the 1992 Cannes Film Festival, Man Bites Dog stunned audiences worldwide with its unflinching imagery and biting satire of media violence. —The Criterion Collection
Rémy Nicolas Lucien Belvaux (10 November 1966, Namur, Belgium – 4 September 2006, Orry-la-Ville, France) was a Belgian actor, director, producer and screenwriter. He was the brother of Lucas Belvaux, also an actor and film director, and of Bruno Belvaux, a theater director.
In 1992, he was with André Bonzel and Benoît Poelvoorde, director, producer and actor of the feature film Man Bites Dog. This film, which was his most famous movie, and originally titled “C’est arrivé près de chez vous” (translated as: “It happened in your neighborhood”) (1992), is about a camera crew filming a documentary about the life of a serial killer. Belvaux plays one of the journalists. The film won the Special Jury Prize for Belvaux and Bonzel at the 5th Yubari International Fantastic Film Festival in February 1994.
He committed suicide on 4 September 2006. —Wikipedia
André Bonzel (1961, Paris) also studied at the INSAS, but gained neither a diploma nor respect from his teachers.Benoît Poelvoorde (1964, Namen) received a training in the graphic arts in Brussels. —IFFR
Benoît Poelvoorde (born 22 September 1964, in Namur, Belgium) is a Belgian actor and comedian.
Early life
His mother was a grocer and his father a driver, who died when Poelvoorde was still young. He studied at the Jesuit boarding school of Godinne) and then left home at 17 to take classes at the Félicien Rops Technical Institute in Namur (Belgium) where he met Rémy Belvaux. He developed a passion for theater and became noted for his atypical interpretations. Not only he was destined to become a draughtsman, he also developed a second activity as a photographer. During his graphic design studies at the Ecole de la recherche graphique in Brussels, he also became friend with André Bonzel and, together with Rémy Belvaux, realized in 1988 Pas de C4 pour Daniel Daniel, his first movie, a short student film (which he co-directed and co-wrote). It was a stylized trailer for a mock-spy film.
Career
In 1992, Poelvoorde, Delvaux and Bonzel directed together their first… read more
"If you kill a whale, you get Greenpeace and Jacques Cousteau on your back, but wipe out sardines and you get a canning subsidy"
Man Bites Dog was it. The filmmakers we're all charged with murder. This film is less about violence and more about it's moral container.
The jokes that hit the mark are hilarious, and that is almost entirely because of Poelvoorde, but the overall tone felt irregular and downright meandering in the second half, for its rather slim 90 minutes I would have wished a bit more work in the script, but do these people even use one?
I remember being at a midnight showing for this at TIFF in 92. The crowd laughed and cheered for the first half until that scene where the camera crew joined in. Suddenly you could have heard a pin drop. People were shell shocked coming out. Doesn't have quite the same power now but back in 92 wow!!!
Trailer and an award for The Unspeakable Act. Plus, David Bordwell on James Cameron.
This film is a masterpiece or at least so close to being one then in one simple scene one simple act it passes the point of no return that at least in my mind ruined the movie for me. Was it intentional… read review
A darkly comic mockumentary about violence and the media. Man Bites Dog follows a film crew who in turn is documenting the day-to-day life of a serial killer. Through the course of the film we get… read review
A very unique move in the way that it all plays out, this is one of the most entertaining movies I’ve seen from Criterion. Lots of witty dialogue and the whole thing has a tongue-in-cheek feel during… read review
This extremely controversial “mockmentary” and brutal satire of media violence and filmmaking won the International Critics’ Prize at the 1992 Cannes Film Festival and takes you on a very eye-opening… read review