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Synopsis

A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy’s friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy’s new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.

Director

Original

Tony Scott

While still a teenager, producer and director Tony Scott made his first foray into film with an appearance in his big brother Ridley_Scott’s first short film, Boy and Bicycle. He later attended London’s Royal College of Art, as did his brother, and proceeded to get his feet wet behind the camera, at first by directing TV commercials for his brother’s production company Ridley Scott Associates. He became a leader in the British commercial industry, directing countless ads and building up an impressive resumé over the years. By the early ‘80s, Tony Scott was ready to begin directing films, and for his first project, he agreed to tackle MGM’s artful vampire pic The_Hunger, starring David_Bowie and Catherine_Deneuve. The movie was released in 1983 to a disappointing silence at the box office, and for the next few years Scott returned to commercials as he waited for his next opportunity to come along. That project came in the form of an offer from producer Jerry_Bruckheimer to direct a fun… read more

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Displaying 4 of 11 wall posts.
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Dave

22Mar12

Loved it - loved almost everything about it. I loved the editing that so many complain about. I loved the story and how it could have felt like two distinct, disjointed films, yet Scott manages to hold it all together. The story really hit me. It feels like a 21st century Alfredo Garcia, and now ranks on my list of the most underrated films of the last decade, as well as among my favorites.

Zach Closs and 2 others like this

Ulrich Jarløv.dk, Jack Lehtonen

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Tom Barnard

8Jul11

No other film has brought me to screams due to the editing. It eventually becomes intolerable, and the picture is lost.

Tigrane and Tony Smith like this

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VENIMOS LOS JODIMOS Y NOS FUIMOS

24Apr11

Otra rutinaria pelicula de acción de Tony Scott. Basada en un poco halagador argumento de Brian Helgeland, la cina se centra en las actividades de un funesto guardaespaldas quien es contratado para hacerla de niñera de una Dakota Faning recien sacada de la cuna, enmedio del caos y el peligro de la violenta ciudad de México. Como de costumbre en el cine gabacho, prevalece la pesadillesca visión de nuestro "tercermundista" país como un lugar oscuro, salvaje y sin ley, en el cual, ninguno de sus habitantes puede ocultar su corrupción moral y nomás se pasan la vida esperando a ver a quién chingan, y donde solamente la intervención de un psicopata policia norteamericano (una suerte de extensión del personaje del mismo Denzel Washington en Training Day) podrá poner orden a las cosas. Movida? si. Entretenida? también. Obviamente, uno no puede culpar a un espectador extranjero por hablar chuladas de esta cosa (vamos, que para mi, Caracortada con Al Pacino es una chingoneria de pelicula, pero si le preguntan lo que opina de ella a un espectador cubano...), pero lo que si resultaba una mentada de madre leer en ese momento, eran las opiniones de varios cinefilos nacionales a quienes les vino el saco, y encontraron excelente esta mamada por parecerles "reveladora" y una "gran critica sobre nuestra realidad social". Ni como defender a estos pobres pendejos.

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Tony Smith

20Mar11

Teal and orange, teal and orange, teal and orange, teal and orange. I've had enough of teal and orange movies.

Ryan A. Pearce and Tigrane like this

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