William Petersen carries the film with a brave and ambivalent portrayal of a disturbed detective obsessed with the psychopath he must catch . Mann's atmospheric storytelling helps to feel the heat, anguish and horror in the minds of the duellists. The sinister Tom Noonan is the counterpart of the deadly game,
This is weird: the main personality of this movie is a disturbed cop who empathizes with killers so he can catch them. But the movie's personality matches his enemy: cold, clinical, precise. Some people like this quality; I'm not a fan. Give me Silence of the Lambs over this any day.
Mann's most disturbing double relationship. Rather than opposing opposites/mirrors, Dollarhyde & Grahame feel ripped out of the recesses of each other's souls, neither one the real man, in conflict for existence. A rejection of the family and a family man, their connections deeper than just mirror images. Grahame battles to find that dividing line between the two.
Rick, BALISTIK, orsonmotherfuckerwelles, Lights in the Dusk, Neil Bahadur, Adam Cook
A milestone of the 80s. In my opinion "Manhunter", with its colors, its simmetries, was "the" thriller of that decade. In the same way, "To Live and Die in LA" was "the" crime movie of these years.
Someone needs to add Brian Cox's name to the cast list. He played Hannibal Lecter!
I have to respectfully disagree with the guy below me. Upon first viewing, it may not quite live up to the best of Mann, but a new repeated viewing has made this a masterwork for me. The climax is one of the most extraordinary scenes I've ever seen executed, Mann uses In-A-Gadda-Da-Vida so brilliantly. That scene alone puts the entirety of Silence of the Lambs to absolute shame. I like Demme a lot, but Mann's on a whole other level.
Better than Red Dragon. Hated the soundtrack though. I guess it would have been good back in 86s. It was nice to see someone pull out a Lecter !!
I saw this on VHS and was a bit underwhelmed. I got really annoyed watching William Peterson talk to himself. Norton did much better as much as I hate to say something positive about a Brett Ratner film.
Michael Mann's true version of red dragon is one haunting film. Anchored by Petersen's and Noonan's performances this is a very underrated and hardly seen film. It also brings the visual flair that has made Mann the auteur he has come to be. Stunning photography by Spinotti puts Ratner's film to shame.