Jiri Weiss, an octogenarian Czech filmmaker who has lived in the United States since 1969, tells a story that’s based on his own memories of the dark years leading up to the Second World War, and his leisurely, sensual, tragicomic style evokes Czech cinema in the brief period of freedom that preceded the Soviet crackdown in 1968. The movie focusses on the unusual, doomed marriage of an educated Czech Jew (Michel Piccoli) and his German housekeeper (Marianne Sägebrecht). Weiss’s manner is graceful and resolutely unsentimental. And Piccoli gives an extraordinarily touching performance. He’s the soul of the movie: the gleam of lechery in his eyes seems to express everything the director has stubbornly continued to believe in—the remembered sweetness of life before catastrophe.
During the ‘50s, Jiri Weiss was one of Czechoslovakia’s most highly regarded filmmakers. A native of Prague, he originally studied law and worked as journalist. He began making documentaries in 1936. His debut, Lidé na Slunci/People in the Sun, earned an award for amateur documentary at that year’s Venice Film Festival. When the Nazis invaded in 1938, Weiss fled first to Paris and then to London where he began making documentaries such as The Rape of Czechoslovakia (1939) and Before the Raid (1943). Following the war, Weiss returned to Czechoslovakia to make such highly regarded films as Vlici Jama/The Wolf Trap (1957) and Romeo, Julie a Tma/Romeo, Juliet and Darkness (1960). When the Soviets invaded his country, Weiss again fled. He did not return as a filmmaker until 1990 when he went to Czechoslovakia to film Martha und Ich/Martha and I. —allmovie guide