Once upon a time there was… Martha, Reymond and their little girl Lise, clinging to one another like three castaways. … A threesome resembling a raft cobbled together with cans and ropes, ready to fall apart at any given moment. Its figurehead, Martha, a fugitive from a nightmarish childhood… Her head thrown back. … In the course of a cramped life, caught between an unstable present and a buried past, the figure of the “MOTHER” looms like a sinister shadow… “MOMMY!” The call reverberates, fanning out like ripples in the water. –Quinzaine des Réalisateurs
Sandrine Veysset (born 1967) is a French film director. She was born in Avignon. Veysset studied French literature until she dropped out of school to pursue filmmaking. A friend introduced her to Léos Carax and she was hired as his driver while he was shooting Les Amants du Pont-Neuf (The Lovers on the Bridge) (1991) in 1989. Her first real contact with cinema happened when she became an assistant to the art director of that film. The experience encouraged her to begin writing her first screenplay in 1991. he directed from her first script in 1995 and the resulting film, Y aura-t-il de la neige à Noël? (Will It Snow for Christmas?) (1996), won her a César Award in 1997 for best first film. Her third film, Martha…Martha (2001) opened the Directors’ Fortnight at the 2001 Cannes Film Festival. —wikipedia