Set against the stifling conformity of pre-World War I English society, E.M. Forster’s Maurice is a story of coming to terms with one’s sexuality and identity in the face of disapproval and misunderstanding. Maurice Hall (James Wilby) and Clive Durham (Hugh Grant) find themselves falling in love at Cambridge. In a time when homosexuality was punishable by imprisonment, the two must keep their feelings for one another a complete secret. Sparkling direction by James Ivory, distinguished performances from the ensemble cast, and a charged score by Richard Robbins all combine to create a film of immense power, one that is romantic, moving, and a story of love and self-discovery for all audiences. –The Criterion Collection
Thanks to the content of his films, American director James Ivory has spent much of his long career being mistaken for an Englishman. Few filmmakers have been more closely associated with a particular type of genre than Ivory and his longtime collaborator, producer Ismail Merchant. The very mention of the hyphenate Merchant-Ivory effortlessly conjures up heavily stylized images of Edwardian England, replete with stiff upper lips, effete aristocrats, and young women confined by both corsets and repressed desire. However, although much of Ivory’s reputation has been built on his E.M. Forster-adapted period dramas, he has also earned considerable respect for the insightful examinations on the interplay of different cultures inherent in almost all of his work — particularly his earlier films about India — and his and Merchant’s ability to make quality films on a minimal budget.
Born in Berkeley, California, on June 7, 1928, Ivory grew up in Klamath Falls, Oregon, where his father… read more