George Washington McLintock, “GW” to friends and foes alike, is a cattle baron and the richest man in the territory. He anxiously awaits the return of his daughter Becky who has been away at school for the last two years. He’s also surprised to see that his wife Katherine has also returned. She had left him some years before without really explaining what he done but she does make the point of saying that she’s returned to take their daughter back to the State Capitol with her. GW is highly respected by everyone around him including the farmers who are pouring into the territories with free grants of land and the Indians who are under thereat of being relocated to another reservation. Between his wife, his headstrong daughter, the crooked land agent and the thieving government Indian agent, GW tries to keep the peace and do what is best for everyone. —IMDb
Andrew Victor McLaglen (born 28 July 1920) is a British-American film and television director and former actor.
Andrew McLaglen was born in London, the son of British actor Victor McLaglen and Enid Lamont. He was from a film family that included eight uncles and an aunt, and he grew up on movie sets with his parents as well as John Wayne and John Ford. After working as an assistant director on a few smaller films, Ford gave him the assistant director job on the film The Quiet Man (1952).
After a few more assistant or second director jobs, McLaglen directed his first film Gun The Man Down in 1956 – a western B-movie with James Arness, Angie Dickinson and Harry Carey, Jr..
He went on to work extensively in television directing, directing episodes of Perry Mason (7), Gunslinger (5), Rawhide (6), and then 99 episodes of Have Gun – Will Travel, The Lieutenant (4), The Virginian (2), and 96 episodes of Gunsmoke.
Returning to films – directing Shenandoah (1965… read more
One of John Wayne's most bizarre films, this farcical western adaptation of Shakespeare's TAMING OF THE SHREW casts Wayne as a cattle baron whose estranged wife returns with their daughter in order to procure a divorce. Blithe misogyny and casual racism make the the film something of an interesting relic. The mud hole brawl is a hoot, but the film is uneven.