Peter John Farrelly (born December 17, 1956) is an American film director, screenwriter, producer and novelist. The Farrelly Brothers are mostly famous for directing and producing gross-out humor romantic comedy films such as, Dumb and Dumber, Me, Myself and Irene, There’s Something About Mary and The Heartbreak Kid.
Farrelly was born in Phoenixville, Pennsylvania, the son of Mariann, a nurse practitioner, and Robert Leo Farrelly, a doctor. He was raised in Cumberland, Rhode Island and graduated from Providence College. He has described himself as a relatively poor student who partied hard, before moving onto a salesman job in Boston, Massachusetts. Farrelly dreamed of being a writer and spent many sales trips out on the road thinking up stories. According to Farrelly, he had been living with a friend in Las Vegas, Nevada and working on a novel. One day he woke up with another hangover and decided it was time to go to church. Put off by the priest’s incessant plea for donations… read more
Robert Leo “Bobby” Farrelly, Jr. (born June 17, 1958) is an American film director, screenwriter and producer.
Farrelly was born in Cumberland, Rhode Island, the son of Mariann, a nurse practitioner, and Robert Leo Farrelly, a doctor. He is a graduate of Rensselaer Polytechnic Institute. He has been married to his wife Nancy since 1990. They have 2 children and a bulldog.
Bobby and his brother Peter Farrelly are known as Farrelly Brothers. They have written, directed, and produced several comedy films (often involving scenes intended as “gross-out” humor) including There’s Something About Mary, Dumb and Dumber, Kingpin, Shallow Hal, Me, Myself and Irene and Stuck on You. They also conceived the Seinfeld episode “The Virgin” (4.10). —Wikipedia
The Farrelly's most Jerry Lewis-esque film, both in the modulation of Jim Carrey's performance and the plethora of gags, bravely and honestly presented with an enthusiasm absent from most contemporary comedy. The Farrelly humanity is matched with a brilliant eye for physical comedy. The Farrelly Bros. are the watchdogs for the ignored, mistreated minorities of Hollywood. What we get here is a violently funny and touching comedy, a daring balancing act that no one else has tried since.
Not sure why I watched this, but its actually a pretty uncompromisingly weird flick. The plot doesn't make any sense mostly because its just an excuse to show off Carrey's lunacy. Still there's too many absurdities not to take note of for better or worse. And as juvenile as it all is there's a weird sense of humanity and even Americana in the sympathy and sense of community it has towards weirdos. Worth seeing.