Pollet’s seminal Mediterranee cuts repeatedly between meditative camera movements around various subjects–Greek ruins, a Sicilian garden, a Spanish bullfight, a woman on a hospital cart, a fisherman–conjuring up a great many mysteries about their relation to one another.
Jean-Daniel Pollet (1936-2004) is a French film director and screenwriter who was most active in the 1960s and 1970s. He was associated with two approaches to filmmaking: comedies which blended burlesque and melancholic elements, and poetic films based on texts by writers such as the French poet Francis Ponge.
Pollet was born on 20 June 1936 in La Madeleine, Nord, in France. His film career started in 1958, when he did a short film set in Paris called Pourvu qu’on ait l’ivresse…, in which Pollet filmed the movements of dancers’ silhouettes. Pollet built on the images and themes from this first film in many of his later works, by incorporating elements of popular comedies imbued with both burlesque and melancholic elements. In the early 1960s, Pollet began exploring another approach to filmmaking with the film Méditerranée, which he made over two years with Volker Schlöndorff. Pollet tried to create a form of poetic film, using texts and commentaries by writers such as Philippe… read more
Volker Schlöndorff (born 31 March 1939 in Wiesbaden, Germany) is a Berlin-based German filmmaker.
He won an Oscar as well as the Palme d’or at the Cannes Film Festival for The Tin Drum (1979), the film version of the novel by Nobel Prize-winning author Günter Grass.
Schlöndorff has adapted many literary works for his movies, including some critically well-received US productions, but he is also engaged in post-war German politics. He served as the chief executive for the UFA studio in Babelsberg. Volker Schlöndorff also teaches film and literature at the European Graduate School in Saas-Fee, Switzerland, where he conducts an Intensive Summer Seminar.
He was married to fellow film director Margarethe von Trotta from 1971 to 1991. —Wikipedia
"si al mismo tiempo, en algún lugar, alguien trabaja tranquilamente para reemplazarte" un eco de los mejores cortos de alain resnais, mediterráneo es un extraordinario trabajo donde el texto de sollers y la música de duhamel transfiguran las imágenes, bellas de por sí, transportándolas a una dimensión que no les es nada ajena. "l'accumulation de mémoire se poursuit, monotone..."
There are some movies I can't even explain why i love them, this is one of them. Visually hypnotic, Pollet invites me to become a spectator, part of the crowd, and the lone wanderer.