St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however, barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair. —IMDb
Vincente Minnelli (February 28, 1903 – July 25, 1986) was a Hollywood director and stage director. His skilled integration of story, music, lighting, and design elements in a film made him the most critically respected crafter of American film musicals. With first wife Judy Garland, he was the father of Liza Minnelli.
Born Lester Anthony Minnelli in Chicago, Illinois, United States, Minnelli was the youngest surviving child of Mina Mary LaLouette Le Beau and Vincent Charles Minnelli. His father was musical conductor of Minnelli Brothers’ Tent Theater. Minnelli’s Chicago-born mother was of French Canadian descent and his paternal grandfather was from Sicily.
With his background in theatre, Minnelli was known as an auteur who always brought his stage experience to his films. The first movie that he directed, Cabin in the Sky (1943), was visibly influenced by the theater. Shortly after that, he directed Meet Me in St. Louis (1944), during which he befriended the film’s star… read more
"I can honestly say that as much as I love Judy Garland in it, it's the whole Vincente Minelli pleasing package. This version of America that I don't know I know if I ever quite bought, but it's very pleasant, this telling of it. The songs are terrific, it could not look better and it's just, it's just damn entertaining" -Quentin Tarantino on Meet Me in St Louis, summarizing my thoughts perfectly on the film.
Not the musical It's a Wonderful Life I was hoping for. Some truly wonderful moments (the peak being that incredible performance of Have Yourself a Merry Little Christmas) but at times it was just a little too corny? I can't believe I can think that.
I like that it has a bit of a dark side. The halloween sequence is brilliant, while the morbidly depressing "Have Yourself a Merry Little Christmas" aptly illustrates why suicide rates peak at the holidays. Possibly the best musical of the 1940s.
In our annual poll, we pair our favorite new films of 2011 with older films seen in the same year to create fantastic double features.
As John McElwee launches a series and Warner releases a Blu-ray, St. Louis is back in UK theaters.
Also: New issues of One + One and the Brooklyn Rail, today’s lists and more.
BAMcinématek and the Locarno Film Festival take that word “Complete” seriously. The retrospective runs through November 2.