Mekong Hotel is a portrait of a hotel near the Mekong River in the north-east of Thailand. The river there marks the border between Thailand and Laos. In the bedrooms and terraces, Apichatpong held a rehearsal with his crew for a movie that he wrote years ago called Ecstasy Garden. The film shuffles different realms, fact and fiction, expressing the bonds between a vampire-like mother and her daughter, the young lovers and the river. Mekong Hotel – since it was shot at the time of the heavy flooding in Thailand – also weaves in layers of demolition, politics, and a drifting dream of the future. — Cannes
Apichatpong “Joe” Weerasethakul (Thai: อภิชาติพงศ์ วีระเศรษฐกุล; born July 16, 1970) is a Thai independent film director, screenwriter, and film producer. His feature films include Uncle Boonmee Who Can Recall His Past Lives, winner of the prestigious 2010 Cannes Film Festival Palme d’Or prize; Tropical Malady, which won a jury prize at the 2004 Cannes Film Festival; Blissfully Yours, which won the top prize in the Un Certain Regard program at the 2002 Cannes Film Festival; and Syndromes and a Century, which premiered at the 63rd Venice Film Festival and was the first Thai film to be entered in competition there.
Working outside the strict confines of the Thai film studio system, Weerasethakul has directed several features and dozens of short films. Themes reflected in his films (frequently discussed in interviews) include dreams, nature, sexuality (including his own homosexuality), and Western perceptions of Thailand and Asia, and his films… read more
The clumsy river setting creates a very unique atmosphere for this transmigrant spirits\thai ghost tale. Besides some weirdo sequences the movie is intriguing and marvelously crafted. Apichatpong vision thrills in every scene, charming us with an ancient, sordid spell; tracking a furtive point-of-no-return for the eye.
Toujours fascinant de plonger dans l'univers évanescent d'Apichatpong, à mi-chemin entre le réel, la fiction et l'au-delà. Et cette guitare qui emballe ce doux cauchemar éveillé, comme une conscience collective qui nous berce. Un autre beau moment de pur cinéma!
A breakdown of the VIFF experience, its qualities and traits.
An evaluation of the feature films programmed in TIFF’s Wavelengths section.
Apichatpong talks about his two new films, Mekong Hotel and Ashes, both premiering at Cannes.
The 2012 Cannes Film Festival is underway and we’re compiling some of the highlights of the coverage.
A small feature film by Apichatpong Weerasethakul imaginatively uses minor means to unite strands of documentary and fiction.
A small feature film by Apichatpong Weerasethakul imaginatively uses minor means to unite strands of documentary and fiction.