An eight-hour meditation on the maddening persistence of sadness in this world, can logically be divided into three parts and an epilogue. The first part details the experiences in Sagada of Julian (Perry Dizon), Alberta (Angeli Bayani) and Rina (Malaya Cruz) as they refashion themselves into different drastic identities as part of the radical process that Julian created in order for them to cope with the losses of their loved ones. The second part is set in Manila, with Julian and Alberta living their real lives and addressing the scenarios and situations that accompany their melancholic predicament. The third part is the prologue to Julian, Alberta and Rina’s prolonged tale of sadness, where deep within the forests of Mindoro, a band of leftist fighters, which includes Alberta’s husband Renato (Roeder Camanag), is struggling with the psychological and spiritual torture of both practical and existential defeat while being hunted down by military operatives. —http://oggsmoggs.blogspot.com/2008/10/melancholia-2008.html
Lavrente Indico Diaz is a multi-awarded independent filmmaker who was born on December 30, 1958 and raised in Cotabato,Mindanao. He works as director, writer, producer, editor, cinematographer, poet, composer, production designer and actor all at once. He is especially notable for the length of his films, some of which run for up to eleven hours. His eight-hour Melancholia, a story about victims of summary executions, won the Grand Prize-Orizzonti award at the Venice Film Festival 2008. His work Death in the Land of Encantos also competed and represented the country at the Venice Film Festival documentary category in 2007. It was granted a Special Mention-Orizzonti. The Venice Film Festival calls him “the ideological father of the New Philippine Cinema”.
Diaz says that he usually writes his scripts while shooting, letting his creative instincts take over and allowing the story to evolve as filming progresses. He tends not to follow industry conventions, such… read more
This is a time for becoming instead of being. Cinema is a perfect buffer zone for our psychologies. Melancholia helped me resolve issues by taking me to there doorstep it's difficult to explain but confronted with the evil in me and able to step inside I felt better than I have in a while, More so than any drug or psychotherapy I understood my better self, until the ending. Reminding me that Melancholia isn't just a passing feeling it's imbedded in the walls, and inside our country.