Dimitri Kirsanoff’s film centers on two young country girls who flee to the city after their parents are brutally murdered (we are given very few details as to who did this or why). The film’s narrative is very sketchy, as there are no intertitles, and the two girls have similar features and are dressed similarly throughout most of the film. One of the girls, played by the wonderful Nadia Sibirskaia (Kirsanoff’s wife), goes off with a man while her sister stays home in their tenement. When she returns home she soon has a baby, and her sister goes off (presumably as a prostitute) with the man. Sibirskaia presumably becomes homeless until she is ultimately reunited with her sister. The man they went away with earlier shows up again, only to be killed by a random criminal. —mseverson
Dimitri Kirsanoff (Russian: Дими́трий Кирса́нов) (6 March 1899 – 11 February 1957) was an early filmmaker, considered part of the French Impressionist movement in film. He is known for his inexpensively made experimental films.
Kirsanoff was born Markus David Sussmanovitch Kaplan (Маркус Давид Зусманович Каплан) in Tartu (then Juryev), Estonia, then Russian Empire in 1899. In the early 1920s he moved to Paris and became involved in cinema through playing cello in the orchestra at showings. He began making films on his own, and never worked with a production company. —Wikipedia
Nadia Sibirskaia's acting / beauty is beyond mesmerizing.. i'm in love
Q: What was your favorite movie in your entire life? Pauline: In my entire life? Well, there's a French movie that probably you've never heard of that I like best... Q: And what was the French movie? Pauline: "Menilmontant," a silent movie made in 1924 by Dmitri Kirsanov starring his beautiful Russian-born wife, Nadia Sibirskaya. ("Afterglow: A Last Conversation With Pauline Kael" by Francis Davis)
In terms of technical filmmaking and editing, this is the best I have seen in all of 1920s. It's incredible stuff and when you see it for the first time you will be left marveling at how far ahead of its time it is stylistically.
Two sisters are torn apart by romantic entanglements in a Paris slum. Dimitri Kirsanoff achieves unique screen poetry.