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Million Dollar Legs

United States

1932

64 Min
Black and White
1.37:1
English
  • Currently 3.9/5 Stars.
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DIR Edward F. Cline

PROD Herman J. Mankiewicz

SCR Nicholas T. Barrows, Ben Hecht, Joseph L. Mankiewicz, Henry Myers

DP Arthur L. Todd

CAST Jack Oakie, W.C. Fields, Andy Clyde

Synopsis

A small country on the verge of bankruptcy is persuaded to enter the Olympics based in Los Angeles, as a means to raise money. However, the cabinet members have another agenda. —IMDb

Director

Original

Edward F. Cline

Entering films as one of Mack Sennett’s Keystone Cops in 1913, Cline began assisting Sennett and by 1916 was directing shorts at Keystone. In the early ‘20s he co-wrote and co-directed seventeen of Buster Keaton’s shorts, including such classics as The Playhouse, The Boat, and Cops, as well as Keaton’s first feature, the Intolerance-parody The Three Ages. Later in the decade he was reunited with Sennett when he directed two-reelers for such comics as Ben Turpin and Carole Lombard. In 1932 Cline directed W.C. Fields in the memorable satire Million Dollar Legs and became one of the few directors whom the irascible comedian could tolerate. Called in to helm most of Fields’ scenes in You Can’t Cheat an Honest Man (signed by George Marshall), Cline went on to direct the classic features that capped Fields’ career in the early ‘40s: My Little Chickadee (co-starring Mae West), The Bank Dick, and Never Give a Sucker an Even Break. Cline’s last important work was with Olsen and Johnson on Crazy… read more

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JP. Schmidt

20Oct11

Hilarious. My first film with W.C. Fields, but won't be my last.

Howard Fritzson

11Jan11

I LOVE this film. It is as crazy funny as it gets and the cast is wonderful. My favorite is Lyda Roberti as Mata Machree, the woman no man can resist. She sings a song called "It's Terrific (What I Do To Men)" and tells her prospective lovers "Don't come close. You'll catch on fire." She says this in Polish accented English.

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IA

30Jul09

Not completely insane, as its reputation suggests, but still one of the biggest oddballs produced by a studio during the early 30s, a prime period for "crazy fool" comedy.

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