In Mexico, a lawless country, Laura, a young aspiring beauty queen finds her dream turned against her when she unwillingly gets involved with a criminal group at war.
Visually the film is perfect. The cinematography achieves what many other films try to do and fail. The long takes and tracking shots establish a voyeuristic look into war that is unforgiving. That said the second half is weaker than the first. It lingers too much and can be complicated at times. The ambiguous ending however is very fitting seeing that the war on drugs being fought in Mexico continues to rage
Overall I look forward to seeing the director's other work. Stephanie Sigman deserves a lot of credit for her performance of a character that, quite frankly, is underwritten in the screenplay.
Loosely based on a true story. I really felt for the main character, Laura, you just really want her to escape and go back to living a normal life yet that's not a possibility.
Il Drive messicano, peccato solo per qualche tempo ed indugio marcatamente "festivaliero"
Gerardo Naranjo’s “neo-melo” Miss Bala is a relentless portrait of a society of violence and corruption.
Also: The latest indefinite word on whether or not David Fincher will make The Girl Who Played with Fire.
Also: The video games and songs of 2011.
In the wake of the raves from Cannes, some of the reviews coming out of Toronto and New York may come as a surprise.
A look at the posters for the films in the main slate of this year’s New York Film Festival.
As I’ve mentioned before, movie posters are not much in evidence around the theaters of Cannes. One striking exception though was this
The first part of a video interview series from Cannes by myself and Ryland Walker Knight.
Gus van Sant attempts to rectify the expressions and evocations of his high-art re-invention, the so-called "death trilogy" (Gerry, Elephant
Updated through 5/21. To follow up on yesterday's "Snapshot" from Marie-Pierre Duhamel, a roundup of what, in this case, we might as well
In his second film Voy a explotar (I'm Going to Explode, which premiered at Venice Mostra in 2009) Gerardo Naranjo paid a double, vibrant
El azar conduce nuestras vidas, ayudado por una fuerza superior que no permite emanciparnos de nuestro destino. Es el mensaje que parece mandar Gerardo Naranjo (Voy a explotar, 2008) con su nueva película… read review
A young woman enters a beauty pageant and (follow me here) ends up drawn into the nightmarish world of Mexico’s drug wars. If nothing else, consider this a magnificent stylistic triumph. The director… read review