IMF agent Ethan Hunt has been sent on a mission to retrieve and destroy the supply of a genetically created disease called ‘Chimera’. His mission is made impossible due to the fact that he is not the only person after samples of the disease. He must also contest with a gang of international terrorists headed by a turned bad former IMF agent who has already managed to steal the cure called ‘Bellerophon’ and now need ‘Chimera’ to complete their grand plan of infecting the whole world. In order to infiltrate and locate the terrorist group he relies on the help of an international thief Nyah of whom he quickly develops a love interest. Time is not only running out for Agent Hunt to find and destroy ‘Chimera’ before the terrorists get their hands on it, but he must also find ‘Bellerophon’ so as to save his love interest who has already become infected by the disease from a terrible and rapid death.
The first Asian filmmaker to helm a major Hollywood feature, John Woo initially emerged as the leading light of the Hong Kong action renaissance of the late ’80s. Celebrated for his unique, much-imitated style: a Molotov cocktail of graceful slow-motion sequences, staccato edits, freeze-frames, and dissolves; Woo brought a new depth of emotion and visual beauty to the action genre, perfecting an operatic, highly stylized brand of mayhem laced with melodrama, savage wit, and homoerotic undercurrents. Woo was born Wu Yu Sen on May 1, 1946, in the Guangzhou Canton Province of China, his parents relocating the family to Hong Kong three years later to escape life under communism. The Woos were quite poor, and were homeless for several years. His father, a philosopher, was later hospitalized with tuberculosis for over a decade. It was his mother who introduced Woo to the cinema, where he fell under the sway of American musicals and the films of the French New Wave, with Jean-Pierre Melville… read more