In this follow-up to her critically acclaimed debut feature, Salaam Bombay!, Nair shifts her focus from South Asia to the American South. The story of Mississippi Masala actually begins in Uganda in the early 1970s, where dictator Idi Amin had seized the property of all Asians and expelled them. Nair chronicles the exile of the family of a successful Indian lawyer and its resettlement in Greenwood, Mississippi, in a rundown motel. Out of these unlikely elements Nair (with screenwriter Sooni Taraporevela) creates a latter-day multicultural Romeo and Juliet tale in which the family’s daughter (Choudhury) begins dating a local black businessman (Washington), to the consternation of both the Asian-Indian and the African-American communities. —Harvard Film Archive
The highly acclaimed director from India, Mira Nair leapt into the world’s spotlight with her film Salaam, Bombay! This film is considered by many to be her best work although she may be better known for the controversial subject matter of her latest film Kama Sutra: A Tale of Love.
Mira Nair was born in Bhubaneshwar, Orissa to a civil servant in 1957. She went on to attend the University of New Delhi where she studied Sociology and Theater. Dissatisfied with the quality of the education, she applied elsewhere. As result she came to Harvard in 1976 on full scholarship to continue studying Sociology. While at Harvard her focus drifted to documentary film. She describes documentary as “a marriage of my interests in the visual arts, theatre, and life as it is lived”.
Mira’s first film was Jama Masjid Street Journal which was also her Master’s thesis project. This film explores the life of a traditional Muslim community from the Western perspective… read more
i still think this is a weird film but i have to give props for the subject matter because it addresses both cultures and wasn't too weird that i couldn't somewhat enjoy it.