In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple. –IMDb
Harmony Korine (born January 4, 1973) is a US film director and writer. He first appeared in the public’s eye as the author of film director Larry Clark’s debut, Kids, a tale of irresponsible teenagers in New York which garnered rave reviews but was literally unable to be seen by the intended audience due to the NC-17 / unrated rating.
Following the success of that Harmony directed and co-produced Gummo, another unique story loosely based around the premise of aspects of life in Xenia, Ohio, post-tornado (although most of it was not filmed there). Harmony cast himself in the film, which features very unusual / disturbing images (bacon on the walls, deaf people arguing, delinquent children) in a bit part as a shy gay teenager. He also had a cameo in Kids as a clubgoer. His sometimes girlfriend, actress Chloë Sevigny (who first appeared in Kids) was perhaps the most well-known star in an otherwise largely non-actors movie.
Mr. Korine followed this… read more
Sincere, beautiful, funny, emotionally honest, deeply sad. Extraordinary cinematography and shot composition. It is a sober, compassionate, human film for a drugged, uncompassionate, inhuman world. A truly great film, Korine's best (I haven't yet seen Spring Breakers), and a film that will surely get its due.
work better as 2 separate films i liked the flying nuns more than the rest/mud swamp
Say what you will about Harmony Korine's films, but his posters are something else. If his cinematic output can be criticized as formless
Cinema Scope's new front page - the splash page, you might call it - sports a still from Harmony Korine's Trash Humpers and, inside, in the
An artist finding his way through life.
That is one of the oldest tales of showbusiness, the showbusiness in itself, the artist and its creation into an unifying bliss. Pure… read review
I was completely and utterly enchanted by this film. The absurd, hyper-imaginative imagery, bizarre characterization and powerful themes of belonging and individuality are beautifully poignant. I’m… read review
Korine has an amazing ability to generate dialogue about his own films, and cinema in general. While Mister Lonely struggles to stand in greater context, it undeniable crafts an absorbing world upon… read review
Those who think Korine failed with this film, don’t know enough about him. Just because he’s maturing doesn’t mean he’s losing his touch. Few films have left me numb, this is one that has and it was… read review