Loretta Castorini, a Brooklyn bookkeeper in her late 30s whose husband died several years earlier in a bus accident, decides it’s time to get married again. So she accepts the proposal of a nice, middle-aged fellow named Johnny Cammareri. Loretta is convinced her first marriage was cursed because she and her husband had gotten married at City Hall; this time, she’s determined to do things right, even as she admits to her mother, Rose, that she’s not really in love with Johnny. (To which Rose replies: “Good. When you love them, they drive you crazy, ’cause they know they can.” Rose speaks from rueful experience; she suspects, with good reason, that her husband, Cosmo, is cheating on her.) Loretta is convinced that marrying Johnny is the safe and sure thing to do – until she meets his estranged younger brother Ronny, who tends the ovens in a neighborhood bakery… —IMDb
Receiving his undergraduate education at Malvern Collegiate Institute, Victoria College and University of Toronto, Ontario-born director and producer Norman Jewison also studied piano and music theory at the Royal Conservatory. Following service in the navy and a brief sojourn as a cab driver, Jewison worked as an actor and scenarist in London. From 1953 through 1958, he was one of the top directors with the Canadian Broadcasting Corporation television service; he continued to turn out top-ranked TV work when he was signed by CBS in New York, winning three Emmys between 1958 and 1961. His first feature film was 40 Pounds of Trouble (1962), which led to a long-term contract with Universal. In 1963, Jewison took on the daunting task of executive producing the much-troubled Judy Garland Show, emerging from this failed 26-week project with little if any egg on his face. The first of Jewison’s films to be greeted with the same critical effusion as his TV work was The Cincinnati Kid (1965… read more
Aside from the ridiculous "You cheat, because you're afraid of dying. Knock it off" moment, all the characters in Moonstruck manage to walk the line between furious, happy, and mordant in every scene. I hated it when I was younger. Now, I find it adorable. Either I'm getting soft in a good way or I've addled my brain.
when the world seems to shine like you've had too much wine/ that's amore...