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France, West Germany, Luxembourg

1969

117 Min
Color
1.66:1
English
  • Currently 3.4/5 Stars.
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DIR Barbet Schroeder

EXEC Charles Lachman, David Lewis

PROD Pierre Cottrell, Barbet Schroeder

SCR Barbet Schroeder, Paul Gégauff, Mimsy Farmer

DP Néstor Almendros

CAST Mimsy Farmer, Klaus Grünberg, Heinz Engelmann, Michel Chanderli, Henry Wolf, Louise Wink

ED Denise de Casabianca, Rita Roland

MUSIC Pink Floyd

SOUND Jack Jullian

Cannes (La séance du Parrain), Cannes (Semaine de la critique)

Synopsis

The making of a heroin addict. Stefan, fresh from college, hitches from Germany to Paris, where he does a little breaking and entering to get some money and soon meets Estelle, a young American. Even through a friend warns him off Estelle, Stefan falls for her (she’s quixotic). Although he’s quickly petulant and possessive, she invites him to follow her to Ibiza for romance in the sun and sand. There Stefan meets another German, Wolf, whose connection with Estelle Stefan can’t fathom. He also meets Kathy, whose relationship with Estelle is also unclear at first. What explains her disappearances and furtive behavior? And once Stefan understands, what will he do about it? —IMDb

Director

Original

Barbet Schroeder

Barbet Schroeder’s Swiss geologist father was on assignment in Iran when he was born. After a globe-trotting childhood, Schroeder was educated at the Sorbonne; then, like half the under-30 population of France (or so it seemed), he became a movie critic. Brief jobs as a jazz concert producer and news photographer followed before Schroeder went to work as an assistant for one of his role models, French director Jean-Luc Godard. In 1964, the 22-year-old Schroeder set up his own film production company, Les Films du Losange. Among the many prominent pictures produced by Schroeder include director Eric Rohmer’s “Moral Tales” La Collectioneuse (1966), My Night at Maud’s (1969), and Claire’s Knee (1970). Schroeder himself turned director with 1969’s More, gaining critical attention with several unorthodox documentaries. With the American film Barfly (1987), Schroeder established himself as a prime purveyor of “slice of life” drama — albeit entertaining enough to please the crowd. Oscar nominated… read more

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Displaying 4 wall posts.
Picture of Armina Stepan

Armina Stepan

22Mar13

Interesting mostly because of the Pink Floyd soundtrack and the scenery. However, aside from documenting an era, doesn't create any characters the viewer can relate to.

Ale/M likes this

Picture of micah van hove

micah van hove

26Sep12

A poor man's Eric Rohmer, really annoying ADR that destroys most of the performances. Great cinematography, however.

  • Picture of jeffreyreeser

    jeffreyreeser

    6Oct12

    Pink Floyd did the music.

  • Picture of Francesco Maria Carreri

    Francesco Maria Carreri

    24Dec12

    ahah, great comment, poor man's eric rohmer, too bad for the amazing amazing cinematography, there was something good in this film but still it was completely ruined by it's numerous flaws

Picture of LaHaine

LaHaine

31Mar12

Great pink floyd soundtrack but the film is a great look at how Drug addiction can bring you down. Brave especially as it was around the time of the hippies and summer of love.

Scorpio Velvet likes this

Picture of Nayo Aragón

Nayo Aragón

14Aug11

a very very sincere look at addiction and drugs in general. beautiful film.

Doch Cobaina likes this

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