Shipwreck survivors are found on Beiru, an island previously used for atomic tests. Amazingly free of radiation effects, they believe they were protected by a special juice given to them by the natives. A joint expedition of Rolithican and Japanese scientists explores Beiru and discovers many curious things, including two women only a foot high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, the gigantic moth worshiped as a goddess by the island people. Mothra seeks the women in Tokyo, wreaking the usual havoc and special effects. –IMDb
Ishirō Honda (本多 猪四郎 Honda Ishirō), sometimes miscredited in foreign releases as “Inoshiro Honda”, (May 7, 1911 in Yamagata Prefecture – February 28, 1993) was a Japanese film director. His early film career included working as an assistant under the famed director, Akira Kurosawa.
Alongside his film duties, he was drafted into the Imperial Japanese Army during World War II in China and was a prisoner there when the war ended.
He is probably best known for his tokusatsu films including several entries in the Godzilla series. He directed the original Godzilla along with King Kong vs. Godzilla (1962), Mothra vs. Godzilla (1964), All Monsters Attack (1969) and many others until 1975. He also directed such tokusatsu films such as Rodan and Mothra. His last feature film was Terror of Mechagodzilla (1975).
The following years were spent directing various sci-fi TV shows. The superhero shows Return of Ultraman, Mirrorman and Zone Fighter were also his. In addition, he… read more
A real feeling of wonder, a truly deep criticism at selfishness and greed. Mothra proves sci-fi can be poetry.
it's interesting all these kaiju films have ecological themes, like miyazaki's work at studio ghibli, also a division of toho