The film records the removal of furniture and objects from the building, leaving visitors able to move freely amongst its empty spaces and a silence charged with feeling.
Since the 1960s, Portabella always maintained a political commitment with all those movements against the Franco dictatorship that supported individual and collective democratic liberties.
In 1977, he was elected Senator in the first democratic elections and he participated in the writing of the present day Spanish Constitution. In 1999, was honoured with the Creu de Sant Jordi, the highest recognition that a person can receive from the institutions of the Generalitat de Catalunya. He has presided over the Fundación Alternativas since 2001.
As a filmmaker Pere Portabella has been a relevant presence in the Spanish film world for the last fifty years. With Films 59, his production company, he fostered some of the most emblematic films in the history of Spanish cinema. Los Golfos by Carlos Saura (1959), El Cochecito by Marco Ferreri (1960) and Viridiana by Luis Buñuel (1961). He directs his own creations combining a heritage of avant-garde culture with breakaway forms of… read more
Steril weiß bekittelt und mit Handschuhen bewehrt, ihren Austausch professionell beschränkt auf die offensichtlich geringst mögliche Anzahl von Worten, entziehen Fachkräfte dem Haus systematisch Bilder und Möbel und schließlich - wohl zerlegt - das Piano. Zurück bleiben seine Mauern, Türen und leeren Räume, bereit für das Neue.