Using a torn from the headlines setup (albeit headlines torn from papers a quarter century earlier), Murder, Inc. follows the exploits of the infamous titular Depression era criminal organization. Aside from launching Ja Rule to fame, Murder, Inc. was also responsible for hundreds of mob hits. Working under the control of the Syndicate, these assassins for hire dirtied their hands with contract killings so that the higher ups in the Cosa Nostra would not be implicated in any of the crimes. The most notorious of these killers, Abe ‘Kid Twist’ Reles (operating out of the Brownsville neighborhood of Brooklyn), would eventually turn state’s evidence, but not before meeting his untimely end through the window of a Coney Island hotel.
Opening with a brutal Reles hit inside a tenement building (later emulated in Godfather II), Murder, Inc. hits the ground running. Almost as soon as we are introduced to Reles, he is introduced to notorious criminal kingpin Louis “Lepke” Buchalter. Because of Reles’ infamy as a trigger man, Lepke pulls him under the fold of The Syndicate. Reles, in turn, pulls degenerate gambler but otherwise decent citizen Joey Collins (Stuart Whitman) under his wing. Because Joey is under enormous debt to Reles, he has no choice but to acquiesce, becoming a driver for Reles.
Unfortunately, Joey’s involvement spells bad news for the missus, the nightclub dancer Eadie Collins (May Britt). After receiving an insult from Eadie regarding his crudity and unsavorinessititudity, the insecure Reles exacts his revenge by brutalizing Mrs. Collins. Although Joey would like to avenge her, or at the very least to flee with his gal, he knows that any action would result in the offing of himself and Eadie, so he decides to play it cool (i.e. act cowardly). This inevitably creates discord between the couple and they temporarily separate.
As news of the Syndicate’s murders becomes more brutal, a crusading district attorney, Burton Turkus (Henry Morgan), takes it upon himself to rid the city of this scum. Through aggressive police tactics, he manages to ensnare many low-level members of the organization. When he captures Reles and Joey, Turkus knows that their cooperation and testimony can put Lepke in the big chair. After Reles gets offed, however, will Joey have the cajones to finger Lepke? —Daveenkosky.blogspot.com
Stuart Rosenberg (August 11, 1927 – March 15, 2007) was an American film and television director whose notable works included the movies Cool Hand Luke (1967), Voyage of the Damned (1976), The Amityville Horror (1979), and The Pope of Greenwich Village (1984).
Early life and career
Born in Brooklyn, New York City, New York, Rosenberg studied Irish literature at New York University in Manhattan, and began working as an apprentice film editor while in graduate school. After advancing to film editor, he then transitioned into directing in 1957 with the syndicated television series Decoy, starring Beverly Garland as an undercover police woman. It was the first police series on American television built around a female protagonist.
Over the next two years, Rosenberg directed 15 episodes of the 1958–1963 ABC police-detective series Naked City, which like Decoy was shot in New York City. Rosenberg was then hired to direct his first film, Murder, Inc. (1960), starring Peter… read more