A messenger boy at Paramount in the mid 1920s, Edward Dmytryk became an editor in the 1930s and began directing in 1935. By the mid ‘40s he had such impressive credits as The Devil Commands (1941) with Boris Karloff; the anti-fascist Hitler’s Children (1943); the noirs Murder, My Sweet (1944) and Cornered (1945), starring Dick Powell; and Crossfire (1947), one of the first Hollywood films to confront anti-Semitism. In 1948 Dmytryk became one of the “Hollywood Ten” when he was accused of having ties to the communist party and was sentenced to a year in prison for contempt of Congress. Following his imprisonment, Dmytryk was blacklisted in the U.S., so he directed three films in England, but returned to the States in 1951. Upon his return he went before the House Un-American Activities Committee again, this time as a “friendly” witness, and his name was dropped from the blacklist. He then resumed his American career and directed four films for producer Stanley Kramer, most notably The… read more
One of that lost breed of films where every shot and line of dialogue is crafted with a care for economy and simplicity. And Mazurki's iniitial appearance in the reflection of that window is bloody terrifying.
soluciones visuales igual de elaboradas y complejas que la trama, gran trabajo de fotografía
This screen cap says it all...looks spectacular. And Dick Powell is wonderful as Philip Marlowe. With Powell, Marlowe is even wittier, even more cynical in his observations than when played by Bogart.. Powell sells it all perfectly, delivering the sharp one-liners with a deadpan expression that is both laugh-out-loud funny and knowingly tough.
"To see a man, to see a man about a dog, or to see a man about a horse is an English language colloquialism, usually used as a smiling apology