Michael is a successful actor, but he has a scandal in his past: at a tender age he knifed his father to death. He and his girlfriend Deborah go to his mother’s for the weekend, and are joined by the director and others from a recent film project, who are given a rather cool reception by the superstitious housekeeper Oliver. Soon rude things begin happening to some of the guests, and Michael fears a repeat of his nightmare past is in progress. –IMDb
Freda was born in Alexandria Egypt of Italian parents. Educated in Milan, he became a sculptor, then a newspaper art critic, and then began a career in film in 1937 in the areas of screenwriting and production supervisor. He moved to film direction in 1942, beginning a career that lasted some forty years. Resisting the strong neo-realism trend in post-war Italy, Freda (with Vittorio Cottafavi) continued to make films in the historico-spectacular style, at which he developed a considerable mastery. He was a pioneer in Italy of horror-fantasy films, especially with I Vampiri and L’orrible segreto del dottor Hitchcock. From there he went to melodrama and spy films, and even made one western. Strong on visual style, Freda’s films had popular appeal, and were usually commercial successes. Several are French or other European co-productions. Freda used a number of aliases during his career, including (as director) Riccardo Freda Riccardo Freda and Riccardo Freda and (as screenwriter) Riccardo… read more
Fail :( ... Watching so many of these subpar, pointlessly sleazy, generically incoherent gialli just reinforces how remarkable the best output of someone like Argento is. Doesn't bode well for me seeking out the rest of Freda's work. ... Last time I saw a number on it, a critic was claiming that there were upwards of 300 giallo films made—question is: how many are left that are actually worth seeing?